Tag: Metro-Goldwyn-Mayer

  • Harry Wilson

    The figures of 350+ film and TV appearances by Harry Wilson (1897-1978) is made more impressive by the fact that Wilson worked almost entirely in the sound era, when the turnover of pictures was not so great as in the silent days.

    British-born Wilson dubbed himself ‘the ugliest man in movies’ (though there was competition), and he was many studios’ go-to actor for convicts and criminal henchmen. He features with Mike Mazurki in Some Like it Hot (1959) as one of George Raft’s goons.

    Wilson appeared uncredited in no fewer than fifteen MGM musicals, across more than thirty years and four decades. In the 1930s he made A Lady’s Morals, The Bohemian Girl, A Day at the Races, Let Freedom Ring and The Wizard of Oz (as a Winkie Guard). In the 40s, Wilson was in Go West, Born to Sing, Swing Fever, Luxury Liner and Take Me Out to the Ball Game.

    His 1950s appearances were in Million Dollar Mermaid, It’s Always Fair Weather, Guys and Dolls and Merry Andrew. And finally, in 1963, Wilson played a roustabout in Billy Rose’s Jumbo. 

    As if Wilson was not busy enough making his own films, he worked for fifteen years as Wallace Beery’s stand-in.

  • Carl Stockdale

    William Carlton Stockdale (1874-1953) accumulated over 300 screen appearances in a thirty-year career that began in 1913 with Broncho Billy’s Last Deed. The title was misleading, because Stockdale went on to appear in more than thirty of Broncho Billy Anderson’s popular shorts, always playing a different character.

    Prior to his film career, Stockdale was a stage actor and vaudeville performer. In pictures, he came to specialize in villains and heavies, though his first appearance in an MGM musical was on the right side of the law, playing the New York Chief of Police in A Lady’s Morals.

    Stockdale made four additional contributions, in Stage Mother, Student Tour, San Francisco and Babes in Arms (though it would appear his scenes were not used).

    Stockdale became a footnote in Hollywood history when he provided actor Charlotte Selby with an alibi when she was under suspicion for the 1922 murder of William Desmond Taylor. Persistant rumours maintain that the alibi was bought and paid for. 

  • Frank Reicher

    Franz Reichert (1875-1965) was a German actor and director who found his greatest success in the United States. 

    Reicher first appeared on Broadway in 1899, and made his screen debut in 1915, the same year in which he directed his first picture .He then concentrated on directing until 1921, after which he mostly acted in character parts. His most notable role was as Captain Englehorn in King Kong, a role he repeated in Son of Kong (both 1933).

    Reicher acted in three MGM musicals: A Lady’s Morals, I Married an Angel and Song of Love. He was also one of the directors of Wir schalten um auf Hollywood (1931), an alternative, German-language version of The Hollywood Revue of 1929.

  • Linda Parker

    Linda Parker (1915-69) was the younger sister of Cecilia Parker, the actor best-remembered for playing Marian Hardy in the Andy Hardy series.

    In 1930, Linda ‘joined’ her sister to play Siamese twins in Lon Chaney’s sound remake of The Unholy Three. They were immediately asked to repeat the trick in A Lady’s Morals

    Linda Parker had uncredited  parts in four other Metro musicals: Dancing Lady, Hollywood Party, Student Tour and Naughty Marietta (which also featured Cecilia).

  • Cecilia Parker

    Cecilia Parker (1914-93) and her family emigrated from Canada to Los Angeles when she was a child, which was the gateway to her obtaining extra work and a place on a training course at Fox Studios.

    Aged 16, she appeared (literally) alongside her younger sister Linda, playing Siamese twins in A Lady’s Morals. She went on to play in three other MGM musicals: Naughty Marietta, Love Finds Andy Hardy and Seven Sweethearts.

    Cecilia Parker was in all but two of the Andy Hardy pictures, playing Andy’s sister, having previously appeared, as the love interest, in the series’s progenitor, Ah, Wilderness! (1935). 

    Parker more or less retired from acting in 1942, but returned for the failed Andy Hardy revival, Andy Hardy Comes Home (1958).

  • Alphonse Martell

    French-born Alphonse Martell (1890-1976) had a forty-year career as a character actor in Hollywood, making over 250 films and many television appearances.

    In 1933, Martell became a Poverty Row auteur when he wrote and directed Tarnished Youth (also known as Gigolettes of Paris). 

    Martell played a variety of parts, but his speciality was waiters, in which role he made at least 80 appearances, as well as cropping up many times as a maitre d’. 

    Alphonse acted in twelve Metro musicals across three decades. A Lady’s Morals was followed by Student Tour, A Night at the Opera, Everybody Sing, Broadway Melody of 1940, I Married an Angel, Bathing Beauty, The Barkeleys of Broadway, Rich, Young and Pretty, Show Boat, Lovely To Look At and I’ll Cry Tomorrow.

  • Agostino Borgato

    Agostino Borgato (1871-1939) was a theatre actor in Italy and the UK prior to emigrating to America in 1925. He had also appeared in a number of Italian films from 1910 onwards, and directed five in the period 1918-21.

    Borgato made his American screen debut in 1925, eventually appearing in around sixty films. After the introduction of sound, he played a variety of foreigners, though obviously with an emphasis on Italians. He was also cast in foreign-language versions of Hollywood films.

    Borgato acted in seven MGM musicals: A Lady’s Morals, The Cuban Love Song, Broadway Melody of 1936, Rose-Marie, Maytime, The Firefly and Swiss Miss.

  • Mavis Villiers

    Mavis Clare Cooney (1909-76) emigrated from Australia with her family when she was eleven. Soon afterwards, Mary Pickford gave her a small role in Little Lord Fauntleroy (1921).

    Villiers was in half a dozen films over the next ten years, culminating in A Lady’s Morals. She and her mother emigrated to the UK in 1933.

    Villiers worked extensively on the British stage and, later, on television. She also made occasional feature films, most notably as Katherine Hepburn’s companion in Suddenly Last Summer (1959) and as one of the blackmailers in Victim (1961).

  • Joan Standing

    Joan Standing (1903-79) was born into a British theatrical family and pursued a minor career in Hollywood as a supporting player. She made her debut in 1919 in The Loves of Letty, made by the Goldwyn Studios.

    Standing’s best-known role was unquestionably Nurse Briggs in Dracula (1931) where, under hypnosis, she gives the vampire access to the sleeping Mina.

    Joan Standing made one appearance in an MGM musical, as Louise in A Lady’s Morals.

  • Bodil Rosing

    Bodil Frederikke Hammerich (1877-1941) was a stage actor in her native Denmark who made several appearances on Broadway in the early twenties.

    Rosing had retired from the stage when she travelled to Hollywood with her daughter Tova, who had married actor Monte Blue. While there, she secured a small role in MGM’s Pretty Ladies (1925), beginning a career as a character actor that would run to around 80 appearances.

    Rosing was frequently cast in matronly roles, often as maids, cooks and housekeepers. Most memorably, she was the maid in Sunrise: A Song of Two Humans (1927).

    Bodil Rosing appeared in two MGM musicals: as the innkeeper’s wife in A Lady’s Morals, and uncredited in an identical role in The Great Waltz.

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