The Musicals of Metro-Goldwyn-Mayer

Tag: Metro-Goldwyn-Mayer

  • Alexander Pollard

    British actor Alexander Pollard emigrated to the United States during the 1920s, and made his first film in 1928. He went on to make close to 200 screen appearances, all of them uncredited. He was a utility character actor, invariably cast as some kind of domestic or public functionary: over two thirds of his roles were as butlers or waiters.

    Pollard ran the luncheon counter where Fay Wray got her much-needed meal in King Kong (1933). He was a waiter hired by Nick and Nora Charles in The Thin Man (1934). He was a guest at the sinister party in Saboteur (1942). And in The Woman in the Window (1944) he played the club waiter who wakes up Edward G Robinson (twice).

    Pollard was in eight MGM musicals: Broadway to Hollywood, A Night at the Opera, Nobody’s Baby, Lady Be Good, Ship Ahoy, Thrill of a Romance, Easy to Wed and Words and Music.

  • Edwin Maxwell

    Irish-born Edwin Maxwell (1886-1948) emigrated to America as a child and made his first stage appearance aged seven. This led to a long career in the theatre and on screen. He made one silent film, but began to concentrate on films in 1929. He never abandoned the stage, however, and toured the country in the 1940s in the road show version of Life With Father.

    Maxwell was a character actor, often credited, sometimes not. Some of his most notable roles included: the Chief of Detectives in Scarface (1932), the chief villain in Mystery of the Wax Museum (1933), the first Secretary of War in Duck Soup (1933), corrupt Will Vickery in Fury (1936), John T Stuart in Young Mr Lincoln (1939), the jeweller in Ninotchka (1939) and the inept state psychiatrist in His Girl Friday (1940).

    Edwin Maxwell appeared in four Metro musicals: Broadway to Hollywood, Hollywood Party, The Great Ziegfeld and the 1940 version of New Moon, his only credited role.

  • Miriam Marlin

    Not a lot of information is available about Miriam Marlin (1905-89), whose brief Hollywood career (1933-37) mostly involved playing chorus girls. It seems reasonable to assume that she had some experience in that area before appearing in pictures.

    Marlin was a chorus girl in all three of her uncredited appearances in MGM musicals, Broadway to Hollywood, Stage Mother and Dancing Lady.

  • Louis Mann

    Louis Mann (1865-1931) was a theatre actor and director, and occasional film actor, who made his first appearance on a stage aged three.

    Mann was a popular Broadway star from the mid-1990s, specializing in comedy and musicals. He also toured widely. In 1914, Variety reported that he had been signed by Jesse Lasky to film two of his stage hits, All on Account of Eliza and Elevating a Husband, but there seems no evidence that these were ever made. Both plays were written by Mann’s wife, Clara Lipman, who was also a prominent supporter of the women’s suffrage movement. It was probably this that led to Mann’s involvement with Your Girl and Mine: A Woman Suffrage Play (1914, a propaganda work made by the movement.

    Mann’s one full-fledged film appearance was in MGM’s The Sins of the Children (1930), on which his wife was a contributing writer.

    In the same year, Mann contributed to the Old Timer sequence of The March of Time. After the film was abandoned, some of his footage was used in Broadway to Hollywood, which was made after Mann’s death 

  • Isabelle Keith

    Isabelle Keep (1898-1975) was a small-part player who made almost sixty films between 1919 and 1937. She is probably best-known today for playing Mrs Laurel in Perfect Day (1929) and Mrs Hardy in Be Big! (1931).

    Keith appeared briefly in a few major pictures–John Ford’s Riley the Cop (1928), Mata Hari (1931), Anna Karenina (1935)–but can mostly be seen in programmers.

    She was uncredited in three Metro musicals: Broadway to Hollywood, Dancing Lady and Reckless.

  • Muriel Evans

    Muriel Adele Evanson (1910-2000) was spotted in Hollywood aged 16 and given her first part in Mademoiselle Modiste (2926). While still at school, she worked for years in bit parts and did some acting for stock companies. 

    In 1929, Evans played the female lead in Joyland, a Lupino Lane comedy short. After a short break from acting to get married and divorced, she worked for MGM and Hal Roach, including a role in Laurel and Hardy’s Pack Up Your Troubles (1932).

    From then on, Evans’s career was a combination of small, often uncredited, appearances in ‘A’ pictures such as Queen Christina (1933) and Mr Deeds Goes to Town (1936) and, much more frequently, leading roles in’B’ westerns. She was a regular leading lady for Buck Jones and for John Wayne during his wilderness years.

    By 1940, Evans had more or less retired from screen acting, though she did continue to do radio work. Much later, she worked as a nurse at the Motion Picture and Television Country House and Hospital, where she also lived out her final years.

    Muriel Evans was in three MGM musicals: Broadway to Hollywood, Dancing Lady and Hollywood Party.

  • Jean Howard

    Ernestine Hill (1910-2000), like many others, was a model and beauty contest competitor who ended up becoming a Goldwyn Girl. She made her first screen appearance in Eddie Cantor’s Whoopee! (1930).

    After a few uncredited roles, including in MGM’s Broadway to Hollywood and Dancing Lady in 1933, Howard achieved a handful of credits, notably in Edmund Goulding’s 1943 comedy, Claudia. But she does not seem to have taken her career very seriously, and spent much of her time taking photographs.

    Howard only made about a dozen pictures, but also published two volumes of photographs, including one which captured a world tour she undertook with her close friend Cole Porter. 

  • Frank Jenks

    Francis William Albert Jenks (1902-62) had one of those faces that made him stand out in all of his 140-plus films.

    Jenks started out as a teenager, playing the trombone in a band and, after attending university, became a song and dance man in vaudeville. He went to Hollywood in 1933, and his first three screen appearances were as band leaders. Over the next thirty years, Jenks moved smoothly between small, uncredited parts, usually as working men (mailmen, carnies, furniture removers, taxi drivers), and bigger roles fairly high up the credits. Examples of the latter would include the Paramount musical Dancing on a Dime (1940) and the male lead in PRC’s Shake Hands with Murder (1944). He had a small but key role in Barbara Stanwyck’s Christmas in Connecticut (1945).

    Later in life, Jenks worked extensively in television, notably partnered with Alan Mowbray in Colonel Humphrey Flack (1953-59).

    Jenks appeared in four MGM musicals, commencing with Broadway to Hollywood. His most prominent, and only credited, role was in Thousands Cheer. He also acted in Two Girls and a Sailor and was one of Danny Kaye’s fellow clowns in Merry Andrew.

  • Moe Howard

    Moses Harry Horwitz (1897-1975) was the senior stooge in the Three Stooges, at least after the split with Ted Healy, with whom they had performed as, well, Ted Healy and his Stooges. Moe was always a little less stupid than his two comrades, and meted out punishment when it was (and also when it was not) needed.

    Moe made his earliest films, for Vitagraph, as a teenager in the 1900s, but these were apparently destroyed in a fire. He and his brother Shemp then undertook a variety of show business jobs, until they teamed up with Healy in the early 1920s. This partnership was on and off over the years, and eventually Shemp was replaced by brother Curly. 

    Healy and the stooges appeared in several MGM pictures before Healy struck out on his own again and Larry, Moe and Curly became the Three Stooges. Moe Howard, along with Larry Fine, appeared in all 190 of the Three Stooges’ shorts and all twelve features.

    Moe was in three MGM musicals: Broadway to Hollywood, Dancing Lady and Hollywood Party.

  • Curly Howard

    Jerome Lester Horwitz (1903-52) was, by general consent, the greatest of the six performers who, at various times, comprised the Three Stooges. His brother Moe and vaudeville performer Larry Fine were permanent presences in the trio, but Curly, somewhat reluctantly, took over when  original member Shemp Howard decided to leave. 

    Curly Howard had been a watcher-on of his brothers’ performances when they were a part of the act called Ted Healy and his Three Stooges, and was drafted in when Shemp grew tired of working with the difficult Healy. He was required to cut his hair down to the scalp, something he hated for the rest of his life.

    But Curly was considered the most naturally gifted comedian in the act, and introduced many of its best-loved bits of business: the mock-Brooklyng pronunciation (“Soitanly!), the manic laugh (“Nyuk-nyuk-nyuk”) and much of the physical buffoonery, which he could improvise at will.

    Curly appeared in almost 100 Three Stooges shorts between 1933 and 1947, when ill-health, culminating in a stroke, ended his career.

    The Three Stooges never made their own feature film during Curly’s tenure, but he did make brief appearances in three MGM musicals: Broadway to Hollywood, Dancing Lady and Hollywood Party.

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