Tag: Free and Easy

  • Free and Easy

    Opinion

    There are things to enjoy in Free and Easy, but it is a film whose final shot is heartbreaking, and not for the hoaky reasons intended by the filmmakers. Buster Keaton’s character, Elmer Butts, has failed to get the girl he loves. Dressed in a ridiculous uniform and in Pagliacciesque clown makeup, Keaton gazes off-camera at Anita Page with a look of utter despondency, then raises his eyes to heaven. It is probably the most downbeat ending ever given to a musical, and that includes West Side Story (1961 and 2021).

    A tragic Buster Keaton is just wrong

    It has been suggested that Keaton is looking, not at his co-star, but at his life as one of the preeminent filmmakers in Hollywood (or anywhere else) disappearing in front of his eyes. It is as though the full implications of what he has given up by signing a contract with MGM is becoming clear for the first time in front of our eyes. Symbolically, Keaton loses the girl for the first time in his career, just as he has lost his independence and potential for creativity.

    Free and Easy was Keaton’s first talking picture, and the first since his earliest days when he had played no real part in its development. The opening titles claim the film as A Buster Keaton Production, but this would seem to have meant little in practice. The film was directed by Edward Sedgwick, a friend of Keaton’s and another comedy specialist who failed to find a settled place at Hollywood’s most successful studio.

    Keaton turns in a professional performance, but he is not playing a Buster Keaton character: in his own films he was never a loser. The finale suggests that Metro were under the impression they had signed Chaplin or Harry Langdon. Left to his own devices, Keaton would probably have made a successful transition to sound: his baritone voice is effective both speaking and singing, and would not have impeded his gag-based comedy.

    Ma Plunkett (Trixie Friganza) and Elmer (Buster Keaton) perform ‘Oh King, Oh Queen’

    The biggest revelation in Free and Easy is Trixie Friganza as the stage mother from hell, Ma Plunkett. Friganza had been a vaudeville star for many years and the film captures some of the talent that made her stage career such a success. 

    Anita Page and Robert Montgomery (who does get the girl) stand around looking attractive, and the film features cameos by a number of MGM luminaries. One of the more interesting aspects of Free and Easy is the glimpse it gives of the Metro studio during the transition to sound.

  • Free and Easy

    Synopsis

    Gopher City, Kansas. Elvira Plunkett, Miss Gopher City, boards a train for Hollywood, a prize from the Chamber of Commerce. She is accompanied by her mother, Ma Plunkett, and her manager, Elmer J Butts. Elmer, who has the tickets, is forced to ride on the caboose until the first stop. Elvira and Ma mistakenly occupy the room of Larry Mitchell, an MGM movie star, who is returning to Hollywood for the opening of his new picture.  Ma and Elvira are reunited with Elmer when the train stops. 

    Elmer (Buster Keaton), stuck in the caboose

    The following week, Larry’s picture premieres at Graumann’s Chinese Theatre, with MGM contract players in attendance. Elmer, Elvira and Ma are there at Larry’s invitation. Elmer has to drive miles to park the car and enters the theatre just as the film is ending. He is mistaken for William Haines and dragged onto the stage. Back at their hotel, Elmer tries and fails to tell Elvira that he loves her. 

    Director Fred Niblo, playing himself, attempts to drum a single line into Elmer’s head: “Oh woe is me, the Quoon has sweened”

    The next day, at the MGM studios, Elvira and Ma watch Larry film a musical number [It Must Be You]. Larry introduces them to director Fred Niblo. Elmer arrives, but cannot get through the studio gates. He finally sneaks in with a crowd of extras. Elmer is chased by a studio guard and accidentally sets off an explosion on an outdoor set, before running onto a sound stage where Lionel Barrymore is directing. He ruins a take, then runs onto the stage where Larry is filming and gets involved in a musical number. 

    The guard catches him, but Larry and Elvira intercede. They persuade Niblo to give Elmer a small part in the picture, but it all goes badly wrong. Larry sends Elmer to the transportation department so he can get a ride home, and Elmer ends up getting a job as a driver. 

    His first job is driving Elvira and Larry home from a party; they do not realize Elmer is the driver. He overhears Larry inviting Elvira to go to his house. While Larry sets about seducing Elvira, Elmer, who thinks Larry is asking her to marry him,rushes to fetch Ma. Elmer and Ma arrive to find Elvira in tears. Elmer tackles Larry and they both end up unconscious. Elvira and Ma leave. Larry is ashamed, and he and Elmer become friends. They discover they used to know each other when Larry was Heiny Schwartz, the butcher’s son, back in Kansas. 

    Larry arranges for Elmer to try another part in the picture, and apologizes to Elvira. Meanwhile, Ma unexpectedly wins a part in the picture. Elmer and Ma perform a comic skit in the musical comedy [Oh King, Oh Queen]. Elvira admires Elmer, but has given up on the idea of acting herself; she never wanted to come to Hollywood, it was all Ma’s idea. She could never be happy making-believe all her life. Elmer tells Elvira that a certain movie star loves her very much and only needs a little encouragement; Elvira thinks he means Larry. 

    Ma Plunkett (Trixie Friganza) and Elmer perform ‘Oh King, Oh Queen’

    In another scene from the musical, Elmer is trying to take the girl back to his home in Brooklyn [The Free And Easy]. Elmer is considered a great comedian and offered a contract by the studio, but he is dismayed to learn that Elvira and Larry are getting married. Elvira watches as the final scene of the picture is filmed [The Free and Easy; It Must Be You], while Elmer gazes sadly at her and despairs.   

  • Robert Montgomery

    The mature roles undertaken by Robert Montgomery (real name Henry) (1904-1981) include the killer Danny in Night Must Fall (1937), a naval commander in They Were Expendable (1945) and Philip Marlowe in The Lady in the Lake (1947). It is easy to forget that he started out playing a jock named Biff in So This is College and predominantly worked in light comedies.

    By no means a gifted singer, Montgomery still performed in three early MGM musicals. As well as So This Is College, he made Free and Easy and Love in the Rough  in quick succession, then called it a day with musicals, apart from archive footage of him at a premiere in Going Hollywood.

    Later in life Montgomery asserted that So This Is College had shown him that making a picture is a “great co-operative project”. This is arguably more true of musicals than any other type of film.

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