Tag: A Lady’s Morals

  • A Lady’s Morals

    Some ThoughtsNo thesaurus is needed to find the best word to describe A Lady’s Morals. ‘Dull’ is the obvious choice. 

    Grace Moore was the second star of the Metropolitan Opera signed up by MGM but, unlike Lawrence Tibbett, she has no onscreen charisma. In real life–and judging from her enjoyable autobiography–Moore was lively and vivacious, but none of that comes across in her film debut. Her performance is far too weak to carry the picture, and no one knew that better than Moore herself, who wrote scathingly about it. 

    She is not helped by the fact that the film’s subject, Jenny Lind, lived a stainless and uneventful life, reflected in the fact that the only moment of drama in A Lady’s Morals is a bout of stage fright.

    Reginald Denny’s mannered performance aonly adequate support. In his first scenes he seems to be continuing his irritating performance as Bob in Madam Satan; later, he is self-sacrificing. Wallace Beery makes nothing of his brief appearance as P T Barnum, because he is given nothing to do. He was given another, and better, stab at the role in The Mighty Barnum (1934).

    Sidney Franklin’s direction and George Barnes’s cinematography are workmanlike, but it is the screenplay that really disappoints. Dorothy Farnum was forced to fictionalize Jenny Lind’s unexciting life, but produces only a hackneyed tale involving blindness brought on by being hit on the head with a bottle. 

    MGM scored something of a coup by persuading the venerable Carrie Jacobs-Bond to contribute the song ostensibly written by Denny’s character, but otherwise the newly-written score is workaday. This is in contrast to the songs by Donizetti and Bellini. The studio had put a toe in the water of Grand Opera in Call of the Flesh, and continues the experiment here. Further steps were curtailed, however, by the 1932 moratorium. 

    By all accounts, Jenny Lind (1931), the French remake of A Lady’s Morals, was a better film. Running slightly longer, it was directed by the talented Arthur Robison and playwright Jacques Deval worked on the screenplay.

  • A Lady’s Morals

    The Crew

    Sidney FranklinDirector
    Dorothy FarnumStory
    Hanns KrälyScenario (as Hans Kraly)
    Claudine WestScenario
    John MeehanDialogue
    Arthur RichmanDialogue
    Oscar StrausComposer
    Clifford GreyLyricist
    Herbert StothartComposer
    Harry M WoodsComposer
    Arthur FreedLyricist
    Howard JohnsonLyricist
    Carrie Jacobs-BondSongwriter
    Irving ThalbergProducer (uncredited)
    George BarnesCinematographer
    Margaret BoothEditor
    Cedric GibbonsArt Director
    AdrianCostume Designer
    George WestmoreMakeup Artist (uncredited)
    Douglas ShearerSound Recording Director
    James BrockSound Recording Engineer (uncredited)
    Sammy LeeChoreographer
  • A Lady’s Morals

    The Cast

    Grace MooreJenny Lind
    Reginald DennyPaul Brandt
    Wallace BeeryBarnum
    Jobyna HowlandJosephine
    Gus ShyOlaf
    Gilbert EmeryBroughm
    George F. MarionInnkeeper
    Paul PorcasiMaretti
    Giovanni MartinoZerga
    Bodil RosingInnkeeper’s Wife
    Joan StandingLouise
    Mavis VilliersSelma
    Judith VosselliRosatti
    Agostino BorgatoItalian Butler (uncredited)
    Sidney BraceyJenny’s Butler (uncredited)
    Karl DaneSwede in Audience (uncredited)
    Boyd IrwinSwedish Ambassador (uncredited)
    Theodore LorchAudience Member Socked by Paul (uncredited)
    Alphonse MartellFrench Dignitary (uncredited)
    Cecilia ParkerFirst Siamese Twin (uncredited)
    Linda ParkerSecond Siamese Twin (uncredited)
    Lee PhelpsTavern Bartender (uncredited)
    Frank ReicherItalian Theater Manager (uncredited)
    Rolfe SedanJenny’s Italian Hair Stylist (uncredited)
    Carl StockdaleNew York Chief of Police (uncredited)
    Harry WilsonTavern Extra (uncredited)
    Frank YaconelliMan in Audience (uncredited)
  • A Lady’s Morals

    The Numbers

    It Is DestinyOscar Straus, Clifford GreyGrace Moore
    RataplanDonizetti, Saint-Georges, BayardGrace Moore
    Student’s SongOscar Straus, Clifford GreyChorus
    Oh WhyHerbert Stothart, Harry M Woods, Arthur FreedGrace Moore
    Casta DivaBellini, RomaniGrace Moore
    Swedish PastoralHerbert Stothart, Howard JohnsonChorus
    Lovely HourCarrie Jacobs BondGrace Moore

  • A Lady’s Morals

    The Synopsis

    World-famous soprano Jenny Lind and her party arrive at a Swedish inn. Jenny wants a room with a piano, but the only one suitable has already been taken by Paul Brandt, a young composer. Jenny’s companion, Pauline, demands that Paul surrender the room to the world’s greatest singer, but he pretends he has never heard of Jenny Lind. Jenny finds her friend’s behaviour embarrassing. Paul and Jenny meet and, after being arrogant and flirtatious, Paul agrees to let her have the room. Jenny is intrigued by him. 

    At dinner, Paul presents Jenny with a song and asks her to sing it. She refuses, but then he makes it a condition of having his room. When Jenny sings [It Is Destiny], Paul constantly corrects her style. After the song, Paul kisses Jenny, who slaps him. He says he kissed her because he has always wanted someone to sing his song like that. He adds that he fell in love with her the moment he saw her and that they have not met by accident. Paul leaves, but he assures Jenny that they shall meet again. 

    In Malmo, Jenny performs in Donizetti’s The Daughter of the Regiment [Rataplan]. During the performance, Jenny discovers that Paul is now a member of the chorus. She invites him to supper [Student’s Song]. Paul gets rid of Josephine, but Jenny says she cannot dine with him alone [Oh, Why?]. Paul reveals that, far from not knowing who she is, he has long carried her picture with him. He tells her again that he adores her, and Jenny admits she has been thinking about him since the inn. She says they must both be mad. She talks about marriage, but he says he could never be the husband of a great prima donna. Paul warns Jenny that one day the world will turn its affections elsewhere, but that he will always love her. She asks him to go. 

    Much later, in Italy at the end of a long tour, Jenny is about to perform Norma. She hears Rosatti, a famous Italian prima donna, get a rapturous welcome as she takes her seat in the audience. The performance begins [Casta Diva], with Paul also in the audience. An encore is demanded, but Jenny says she is exhausted and her throat hurts; she does not want to go back on. She is persuaded to sing again [Casta Diva], but her voice goes. The curtain is brought down and Jenny collapses. The crowd calls for Rosatti. Paul defends Jenny and a fight breaks out. Paul is struck hard on the head and passes out. Backstage, Jenny hears Rosatti complete the performance. 

    Later, Paul brings his uncle, the maestro Garcia, to help Jenny recover her voice. Paul is walking unsteadily. After Paul has left, the maestro accidentally reveals that his nephew’s sight has been impaired since the fight in the theatre. Paul will not get the help he needs because all he can think about is helping Jenny. 

    Back in Sweden [Swedish Pastorale], Jenny is with Paul, whose eyes have been bandaged for two months, following treatment. When the doctor removes the bandages, Paul pretends that he can see for the sake of Jenny, but confesses the truth to the doctor, who says the blindness will be permanent. Before Paul can tell Jenny the truth, she reveals that her voice has returned [It Is Destiny]. Paul slips away, leaving a note telling Jenny that he loves her but must go. 

    Jenny makes her debut in the United States, where she is promoted by P T Barnum. Paul is also in America. He is blind, performing his music in a bar. Olaf, a fellow Swede and friend of Paul’s, breaks into Jenny’s dressing room. He has brought one of his blind friend’s songs, hoping that Jenny will buy it and sing it. Josephine takes the song and throws him out. Jenny sees Paul’s name on the manuscript and realizes that he is blind. Jenny tells Josephine to find Olaf. 

    While Jenny sings [Lovely Hour], Paul is in a huge crowd outside the theatre who are listening through the open windows. Later, Olaf tricks Paul into meeting Jenny. She gently admonishes Paul for not telling her about his blindness, and they embrace.                       

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