Category: Synopsis

  • In Gay Madrid

    Synopsis

    In a Madrid nightclub, playboy Ricardo watches Goyita sing [Give Me All Your Love (?)] while the women at another table gossip about him. Ricardo rushes backstage and embraces Goyita.

    Meanwhile, Almadar, the self-proclaimed “greatest torero in all Spain”, arrives at the nightclub and demands that Goyita sing for him. Going backstage to fetch her, Almadar finds her in Ricardo’s arms. They quarrel and, back amongst the diners, a fight ensues. 

    Ricardo arrives home the next morning and tells the butler that he has been with the police all night. He gets into bed fully clothed to hide from his father, the Marques de Castelar, but the Marques sees through the ruse. Ricardo claims to have been in a taxi accident, but his father already knows the truth from the newspaper. Tired of his son’s behaviour, the Marques tells him he must leave Madrid and continue his law studies at the university at Santiago de Compostela. He is to board at the best student accommodation, the House of Troy. 

    Later, students arrive at the House of Troy [Santiago]. They see all Ricardo’s luggage and are told it belongs to the Marques of Castelar. They carry it to his room and three of them ransack the contents. Ricardo finds them going through his things, but they are reassured when he tells them he is not the Marques de Castelar. The students find his fur coat, which they decide to pawn, with Ricardo’s encouragement. Octavio comes in to complain about the noise, and says he will have nothing to do with Ricardo because of his bad reputation. 

    Then Ernesto Rivas arrives with an invitation for Ricardo from his father. Ricardo explains to his housemates that the Marques is his father, and assures them that he was amused by what they did. Octavio insults him and leaves. 

    Ricardo objects to having a picture in his room, until he learns it is Antonio, who died bravely in an illegal duel. He learns that the motto of the house is Above All, Honour [Santiago]

    Later, Ricardo is to visit Senor Rivas and his daughter, Carmina, who has been told about his reputation by Octavio. Her aunt, Doña Concha, tells her there is nothing wrong with a few wild oats. Ricardo arrives with Ernesto and hears Carmina playing the harp. She asks him if he will not find Santiago dull compared to Madrid. Later, when they are talking alone, Ricardo wonders why Carmina does not like him. She tells him that standards of conduct are different in Santiago. 

    Octavio arrives and Ricardo learns that he is Carmina’s fiance. Ricardo explains that he is unable to stay for dinner because of a prior engagement at a student dinner. Ernesto has also been invited, but Octavio reveals the dinner is to be held in a wine shop and Rivas tells his son not to go. 

    Later, at the dinner, Ricardo is telling his friends how provincial and self-satisfied Carmina is when Ernesto enters and overhears. Ricardo rushes after him and persuades him that, in fact, he likes Carmina very much, but that she hurt his vanity. They return to the table [Smile While We May]

    In Madrid, Goyita receives a letter from Ricardo, asking her to come to Santiago. 

    Later, at a costume ball, Ricardo helps his friend Corpulento serenade a girl [Into My Heart], but gives away the deception when he is distracted by seeing Carmina. He sings to her and she is pleased, though pretends not to be. Ernesto tells Ricardo that his sister thought the serenade was wonderful. At Ernesto’s insistence, Ricardo dances with Carmina. He takes her into the garden and asks if they can be friends. Carmina agrees, and when Octavio comes to remind her they are to dance, she refuses to go in. 

    Octavio tries to provoke a quarrel with Ricardo, and Carmina decides to go home. Ricardo prevents Octavio from following her and pushes him into a fountain. 

    Ricardo prepares to push Octavio (Herbert Clark) into the fountain

    Back in her room, Carmina turns a picture of Octavio face down. Ricardo sits on the branch of a tree outside her room and serenades her [Dark Night]. On her balcony, he rips off Octavio’s betrothal bracelet, declares his love for Carmina and compels her to say she loves him before he will let her return to her room. 

    Doña Concha, who was chaperoning Carmina, returns from the ball and hears Ricardo singing outside. Carmina refuses to admit she likes Ricardo and says he followed her home, to which Doña Concha replies that that shows how interested he is. She tells Carmina that Octavio is not a suitable husband, but that Ricardo is. Carmina says Ricardo is too sure of himself and her aunt advises her to make him less sure of himself by playing hard to get. 

    Much later, Ricardo complains to Ernesto that all his letters to Carmina are returned unopened, and Ernesto tells him she pretends to be out when he calls at the house. To Ricardo’s surprise, Goyita arrives at the house; he has forgotten he invited her.  Then, the Marques de Castelar’s car pulls up outside. Ricardo hides Goyita in his wardrobe. Ricardo has told his father in a letter that he is really in love with Carmina and the Marques approves. Inside the wardrobe, Goyita does not like what she is hearing. 

    The Marques has brought a betrothal bracelet for Carmina. Ricardo tries to persuade his father to go for a walk and the Marques reveals he has already been to the Rivas house and seen Carmina. He has arranged the marriage with her father, but Ricardo tells him he is no longer sure that Carmina is in love with him. The Marques laughs this off. Ricardo tells Goyita to stay in his room while he goes out with his father.

    Carmina is getting ready to greet Ricardo when he and the Marques arrive. She continues to be off-hand with him. Back in Ricardo’s room, Goyita is spotted by Octavio. 

    Senor Rivas sends Ricardo to meet Carmina in the garden, where she finally acknowledges she loves him; she is wearing his bracelet. Octavio arrives during dinner and tells Rivas about Goyita. Ricardo is called to the library, after which the Marques hears shouting. Octavio states that Ricardo has come straight from the arms of a disreputable woman and says he can prove it. They all go to Ricardo’s room, where Goyita is waiting in her underskirt. She tells the Marques she is there because Ricardo asked her to come. Carmina hears everything and returns Ricardo’s bracelet. The Marques will not listen to any explanation, and leaves. Ernesto slaps Ricardo, meaning there must be a duel. 

    The next morning, Carmina learns about the duel and rushes to stop it, but she is too late. Ricardo fires into the air and is wounded himself. Carmina spurns Ricardo until she sees that he is hurt, when she begs his forgiveness and tells him she loves him. Later, Ricardo and Carmina are married [Santiago].

  • The Rogue Song

    Synopsis

    [The Rogue Song is a lost film. The following is a summary based on a few extant segments and the soundtrack, which has survived.]

    The Russian Empire in 1910 [Beyond the Dawn]. Yegor is the chief of a bandit group known as the Robbing Larks, and they are celebrating a successful raid. They go to the inn of Ossman to trade stolen goods for gold. 

    Yegor (Laurence Tibbett), surrounded by his men

    Two of Yegor’s henchmen are Ali-Bek and Murza Bek. The latter claims to have saved Yegor’s father from mountain lions by slapping them to death.

    Ossman the innkeeper tells Yegor that he has two female guests: an Imperial Princess and a Serene Countess. Princess Vera and Countess Tatiana hear the bandits singing in the room below. Tatiana has previously seen Yegor from the window and tells their servant Petrovna to bring to them “the tall, strong one who sings”. [The Rogue Song]

    Meeting Vera and Tatiana, Yegor denies the Robbing Larks are thieves because they pay for what they take with a song. Yegor tells them he is from a line of bandits [Love Comes Like Bird On the Wing]. Tatiana offers to pay for the song, but Yegor says all he wants is the young lady’s hat with a funny little feather on it. Vera refuses and goes to bed, advising Tatiana to send Yegor on his way. Tatiana flirts with Yegor and gives him a string of pearls. To her annoyance, Yegor then says good night and leaves. 

    Yegor asks Princess Vera (Catherine Dale Owen) for her hat

    Ossman subsequently tells Tatiana she will never be able to find the bandits’ hideout, so she decides instead to wait until Yegor tries to dispose of the pearls, when she will get her revenge. Ossman agrees to signal the captain of Cossacks so that Yegor can be arrested. 

    Murza-Bek tries to show Ali-Bek how to close a door properly, causing snow from the roof to fall on him. 

    Yegor climbs in through Vera’s window. He tells her he has come for her hat, then leaves. 

    Murza-Bek falls into a barrel of ice water after Ali-Bek tries to help him mount his horse. 

    Yegor visits his mother and his sister Nadja. He gives his mother the pearls, which he tells her came from a countess, and gives the hat to Nadja. He tells his sister the hat came from the daughter of a Russian prince, and she replies that she wants nothing to do with princes. Yegor deduces that Nadja is in love. She says she “hates” someone, but will say no more. Yegor promises to bring her a Parisian nightdress from the thieves’ market. 

    Ossman is at the thieves’ market with a Cossack captain. He has been pointing out thieves to be hanged, but it is Yegor the captain wants. Yegor arrives at the market and leaves Murza-Bek and Ali-Bek in charge of his horse. [The Narrative]

    Vera warns Yegor that the Cossacks are there to arrest him for stealing Tatiana’s pearls. She knows he did not steal them. Yegor sends Vera to a room to wait for him while he completes some business. 

    The captain questions Murza-Bek and Ali-Bek about Yegor’s horse and they deny knowledge of everything. He orders their arrest and they flee. 

    Yegor tells Vera about his mother and sister, the only women he allows in his house. He has always avoided other women but he tells Vera he could love her [The White Dove]

    Ali-Bek and Murzak-Bek buy cheese, but are chased by insects. When Murzak-Bek tries to swat a bee, he accidentally slaps their mule, which runs away. 

    Ossman is found dead. A note (?) says “Yegor punishes his betrayers”. 

    Vera asks Yegor if he is running away and he replies that his head stays on his body, the better to kiss her. 

    The Cossacks pursue Yegor on horseback, but he loses them and heads for home. He finds his mother grieving, and Nadja bleeding from self-inflicted dagger wounds. She has been raped by Prince Serge.

    Yegor’s sister Nadja (Florence Lake) commits suicide after being raped

    Yegor searches for Serge. One of his men tells him Tatiana is holding a ball that evening and Serge is bound to be there. Yegor breaks into Tatiana’s room and finds her there. He returns the necklace and offers to sing at the ball. [Swan Ballet]. After a ballet is performed, Tatiana announces to her guests that they are to be entertained by a singing bandit. 

    Vera is introduced to Princess Alexandra, and in turn introduces her brother, Prince Serge. Vera is shocked when Yegor walks onto the stage. Yegor sings a song telling Nadja’s story [Once in the Georgian Hills]. As he sings, his anger increases towards the man who seduced Nadja. Yegor follows Serge from the room and chases him. 

    [Intermission]. 

    Yegor confronts Serge, and strangles him. Vera enters and finds Serge dead. She will not listen to Yegor’s explanation. Vera screams and Yegor flees, taking her with him. He tells her she will stay with him in a place her world can never find. She has shown no pity for Nadja, so she will work as a servant. 

    Later, Yegor mocks Vera, but then sings to her [When I’m Looking at You], revealing that he still loves her. 

    The bandits cross the desert, and Ali-Bek attempts to shave Murzak-Bek. 

    Ali-Bek (Stan Laurel), about to get
    Murza-Bek (Oliver Hardy) into another fine mess

    Yegor is unable to break Vera’s spirit. Yegor’s mother tells him no good will come of what he is doing to a woman he still loves. 

    Vera attempts to seduce Hassan, Yegor’s right hand man. Yegor sees what she is doing and warns her to stop. During a terrible storm, Yegor carries Vera to safety. Vera tells Yegor that she does not hate him, because only the living can hate. Yegor pleads with her not to be so unhappy, and offers to take her to a lake in the mountains that she used to visit as a child. 

    Vera persuades Hassan to help her escape, on the understanding that no harm shall come to Yegor. At the mountain lake, Yegor is captured, causing Hassan to kill himself. Yegor is whipped in public [The Lash; When I’m Looking at You ; The Narrative]

    The public whipping of Yegor

    Vera goes to Yegor in his cell and asks him to forgive her. He says there is nothing to forgive and that they are even now. 

    A tree concealing Ali-Bek and Murzak-Bek collapses, dumping them into the lake. 

    Vera has Yegor released and says goodbye to him. They express the hope that, at some future time, they can be together. Yegor rides towards the sunset [When I’m Looking at You].  

    Murzak-Bek tells the bandits that Yegor is dead and he is now their leader. The bandits laugh, then hear Yegor singing [The Rogue Song]. Ali-Bek and Murzak-Bek resume their normal duties.

  • Children of Pleasure

    Synopsis

    Successful songwriter Danny Regan bumps into Jack Benny while coming out of the subway, then fails to persuade a drunk to sing one of his songs. He calls into a theatre to watch Fanny Kaye perform one of his numbers [A Couple of Birds with the Same Thing in Mind]. He sits next to, and admires, an attractive young woman, but she leaves before the end of the number. 

    Danny Regan (Lawrence Gray) bumps into Jack Benny for no apparent reason

    Finally, Danny calls at the office of his partner Bernie, a publisher and agent, who is busy dictating telegrams. His old friend Emma Gray is working there and he starts to tell her about the girl he has just seen, until she has to stop and help Bernie. 

    Cliff ‘Ukelele Ike’ Edwards looks in and talks to Danny about the song he is performing. Bernie recalls how it was Emma who first introduced him to Danny as a songwriter with potential. 

    Fanny Kaye is planning to come over and listen to a new song Danny has written for her. Emma asks Danny to finish his story about the girl, even though it is clearly painful to her. Fanny arrives with her pianist, Andy Little. It seems Fanny always marries her pianists and she has her eyes on Andy. 

    Danny and Emma demonstrate the new number [Dust]. Soon, the song has been turned into a production number for Fanny [Dust]. During the performance, Danny spots the young woman he saw earlier sitting in a box. 

    Bernie (Lee Kohlmar) chats to his partner Danny, while devoted Emma (Wynne Gibson, in the Bessie Love part) looks on devotedly

    Fanny calls Danny onto the stage and he nervously thanks the audience, while being admired by the young woman. Later, Danny and Emma are dancing at a nightclub when he sees the young woman again. Her name is Pat Thayer, and she is accompanied by Rod Peck. Danny invites Pat and Rod to his table, where he introduces them to Fanny and Andy. Pat lies about where she first met Danny, claiming to have almost killed him with her car. 

    Danny is invited to perform one of his songs [Girl Trouble]. At the table, Pat looks on admiringly while Emma looks troubled. Danny suggests Andy sing, and Andy asks Emma to join him in a more cynical version of the song [Girl Trouble]

    Danny and Pat dance, and he learns that she is part of a wealthy oil family. Rod tells Emma that he has been engaged to Pat a dozen times, on and off. The orchestra plays one of Danny’s songs [The Better Things in Life]. Later, Emma tries unsuccessfully to warn Danny that Pat may not be as serious as he is. 

    Pat visits Danny at his office [Leave It That Way]. Danny proposes and Pat accepts. She agrees to keep it secret so they can have a quiet wedding. Emma helps Danny choose a ring, and they see Pat and Rod at the same store. Pat is choosing favours for the bridesmaids, and tells Danny they cannot really have a small wedding, but must have a big affair with a rehearsal the night before. 

    At the rehearsal, the older guests gossip that the marriage will not last, and the servants agree. [The Whole Darned Thing’s for You]. Danny overhears Pat flirting with Rod, who tells her she does not love Danny any more than any of the other men she has played with. Pat says the marriage will be an experiment to find out if that is true. If it fails, she will come back to Rod. Later, Danny breaks up the rehearsal of the ceremony and repeats Pat’s own words back to her. 

    Pat (Judith Wood) explains her cunning plan to Rod (Kenneth Thomson)

    Some days later, Emma and Bernie are worried because no one knows where Danny is. Fanny tells them she and Andy are getting married, which is news to Andy. Danny calls and Emma rushes to his apartment. She finds him drunk and feeling cynical about love. Then he tells Emma he loves her and they should get married straight away. 

    The next morning, Emma tells Danny that he passed out after the ceremony and she slept in the other room. She asks him if he loves her and laughs when he says yes. Pat arrives, at Emma’s invitation. Emma tells Danny she was not fooled by him and there was no wedding. She says Pat really loves him and leaves them alone together. Danny tells Pat she is sweet, but then rushes out after Emma.

  • Free and Easy

    Synopsis

    Gopher City, Kansas. Elvira Plunkett, Miss Gopher City, boards a train for Hollywood, a prize from the Chamber of Commerce. She is accompanied by her mother, Ma Plunkett, and her manager, Elmer J Butts. Elmer, who has the tickets, is forced to ride on the caboose until the first stop. Elvira and Ma mistakenly occupy the room of Larry Mitchell, an MGM movie star, who is returning to Hollywood for the opening of his new picture.  Ma and Elvira are reunited with Elmer when the train stops. 

    Elmer (Buster Keaton), stuck in the caboose

    The following week, Larry’s picture premieres at Graumann’s Chinese Theatre, with MGM contract players in attendance. Elmer, Elvira and Ma are there at Larry’s invitation. Elmer has to drive miles to park the car and enters the theatre just as the film is ending. He is mistaken for William Haines and dragged onto the stage. Back at their hotel, Elmer tries and fails to tell Elvira that he loves her. 

    Director Fred Niblo, playing himself, attempts to drum a single line into Elmer’s head: “Oh woe is me, the Quoon has sweened”

    The next day, at the MGM studios, Elvira and Ma watch Larry film a musical number [It Must Be You]. Larry introduces them to director Fred Niblo. Elmer arrives, but cannot get through the studio gates. He finally sneaks in with a crowd of extras. Elmer is chased by a studio guard and accidentally sets off an explosion on an outdoor set, before running onto a sound stage where Lionel Barrymore is directing. He ruins a take, then runs onto the stage where Larry is filming and gets involved in a musical number. 

    The guard catches him, but Larry and Elvira intercede. They persuade Niblo to give Elmer a small part in the picture, but it all goes badly wrong. Larry sends Elmer to the transportation department so he can get a ride home, and Elmer ends up getting a job as a driver. 

    His first job is driving Elvira and Larry home from a party; they do not realize Elmer is the driver. He overhears Larry inviting Elvira to go to his house. While Larry sets about seducing Elvira, Elmer, who thinks Larry is asking her to marry him,rushes to fetch Ma. Elmer and Ma arrive to find Elvira in tears. Elmer tackles Larry and they both end up unconscious. Elvira and Ma leave. Larry is ashamed, and he and Elmer become friends. They discover they used to know each other when Larry was Heiny Schwartz, the butcher’s son, back in Kansas. 

    Larry arranges for Elmer to try another part in the picture, and apologizes to Elvira. Meanwhile, Ma unexpectedly wins a part in the picture. Elmer and Ma perform a comic skit in the musical comedy [Oh King, Oh Queen]. Elvira admires Elmer, but has given up on the idea of acting herself; she never wanted to come to Hollywood, it was all Ma’s idea. She could never be happy making-believe all her life. Elmer tells Elvira that a certain movie star loves her very much and only needs a little encouragement; Elvira thinks he means Larry. 

    Ma Plunkett (Trixie Friganza) and Elmer perform ‘Oh King, Oh Queen’

    In another scene from the musical, Elmer is trying to take the girl back to his home in Brooklyn [The Free And Easy]. Elmer is considered a great comedian and offered a contract by the studio, but he is dismayed to learn that Elvira and Larry are getting married. Elvira watches as the final scene of the picture is filmed [The Free and Easy; It Must Be You], while Elmer gazes sadly at her and despairs.   

  • Montana Moon

    Synopsis

    Joan Prescott, the flirtatious daughter of wealthy John Prescott, arrives at the last minute to board her father’s private train. He warns her that he does not want any more foolishness from her. Joan’s sister, Elizabeth, tells her she is in love with Jeff, a man she met in Boston and who is on the train. Joan has often stolen men from Elizabeth, but she promises not to do so this time. 

    Joan does not like Jeff, but that evening he tells her that he is in love with her. On impulse, Joan gets off the train at the next stop. She buys a ticket back to New York but, while waiting for the train, comes across the campfire of Larry Kerrigan, a Texas cowboy. They talk, and Joan tells him how pleasant it is to be away from all the city noise. Larry says he often dreams of going to a city, to get away from the silence. Joan is surprised to find that Larry works on a ranch owned by her father. Larry says Mr Prescott is admired by all his men, but that he has “a pair of high-falutin’ daughters that ought to be hog-tied”. Larry nicknames Joan ‘Montana’ and she sleeps alongside him by the campfire. Over the next few days, they fall in love. 

    City girl Joan Prescott (Joan Crawford) and cowboy Larry Kerrigan (Johnny Mack Brown) bond round the old campfire

    Elsewhere on the ranch, cowboy Froggy meets Bloom, a travelling doctor from the Bronx, who pulls Froggy’s bad tooth. 

    Joan and Larry arrive at the main camp [Montana Call] and he introduces her to Froggy, Bloom and the others as his wife. He does not tell them she is the boss’s daughter. 

    Joan and Larry say goodbye the next morning [Happy Cowboy] and ride to the ranch, where they tell her father and the others that they are married. Prescott takes Larry into the library. He tells Larry he is very pleased about the marriage, but cannot tell Joan because what he likes she is always against; but Joan overhears anyway. 

    Joan’s friends throw a party for her at the local roadhouse and Larry persuades her to go without him, because he does not have the proper clothes. Larry is unhappy that she does not get home until six in the morning. When Larry says he has to go to work, Joan says he does not have to because her dad will look after them. Larry tells her that is not the way things are going to be. Joan apologizes and he leaves for work. 

    Later, Joan and Larry go together to another party, at which both the city sophisticates and the ranch hands are present. Froggy and Bloom tease Larry about his fancy clothes. [Get Up You Cowboy; Trailin’ in Old Montana]

    Larry dislikes Jeff and is unhappy when he sees Joan flirting with him. Larry tells Joan her city friends do not live up to his standards of decency. She says she will dance with whom she pleases. She then performs a tango with Jeff, who snatches a kiss at the end. 

    Joan tells Larry they made a mistake in marrying because neither belongs in the other’s world, and she refuses to leave with him. After a moment, Joan rushes after Larry and apologizes, but he refuses to come back with her. 

    Some time later, back with the other ranch hands [The Moon is Low; Sing a Song of Old Montana], Larry is missing Joan. Mr Prescott comes to tell Larry they are all returning to New York tomorrow. He asks Larry to talk to Joan, saying this is the first time he has ever seen her regret anything. Larry brightens when he hears that, but still refuses. [The Moon is Low]

    Froggy (Cliff ‘Ukelele Ike’ Edwards) leads a cowboy sing-song

    At the station, Joan is hoping Larry will at least come to say goodbye. At a water stop, the train is held up by masked Mexican bandits. One of them grabs Joan, who berates Jeff and the others for not helping her, and says Larry would have done something. The bandit carries off Joan and, laughing, she tells Larry to take off the mask because she would recognize his voice anywhere. Mr Prescott explains the trick to the other passengers, while Joan and Larry ride off happily with the other ‘bandits’ [Happy Cowboy].        

  • Lord Byron of Broadway

    Synopsis

    A young woman waits outside the Trocadero Cafe to speak to Roy Erskine, who has been avoiding her. She  says she knows Roy is through with her. She is not complaining because she always knew she would end up as “just another song”. Roy makes love to girls, breaks their hearts, and then turns it into material for a new song. Roy says he did not get a song from her, implying she was just a golddigger. 

    Roy goes into the Trocadero, where he plays piano. He meets flirtatious Bessie, who offers to let him use the piano in her apartment to work. Back at her apartment, Bessie reveals that she has been in love with Roy for months. She has only been in love once before and, to prove it, she shows Roy a bundle of old love letters. While they are kissing, Roy gets an idea for a song. 

    Roy (Charles Kaley) finds inspiration in Bessie’s (Gwen Lee) bundle of old love letters

    Later, in the Trocadero, Bessie introduces Roy to Mr Millaire, who plays in a vaudeville theatre orchestra and is interested in Roy’s songs. Roy agrees to bring an example to the theatre. Now he has written a new song, Roy starts to avoid Bessie.  

    Roy goes to a music shop and asks Nancy Clover to produce a piano copy of a song for him, because he does not read music. Roy and Nancy are attracted to each other. Roy takes Nancy to the theatre [The Japanese Sandman] where his new song is being performed by Joe Lundeen [A Bundle of Old Love Letters]. Roy is shocked to find that Millaire has taken credit for writing the song. 

    Going to  Joe’s dressing room, they find him talking to his agent, Phil. Roy and Nancy perform the song to a sceptical Joe and Phil [A Bundle of Old Love Letters]. Joe and Phil are convinced and Phil suggests Joe, Roy and Nancy form a new act. 

    Three months later, Lundeen and Erskine with Nancy Clover are a hit [A Bundle of Old Love Letters]  and so is the song. Roy is flirting with a dancer “for inspiration,” making Nancy unhappy. In the dressing room, Joe advises Nancy to be patient, saying Roy is on a merry-go-round for the moment. Riccardi, the dancer’s husband, bursts in looking for Roy. Joe pretends he is Roy and that Nancy is his wife, and Riccardi calms down. 

    Joe warns Roy to stop chasing women for inspiration, but Roy ignores him. Time passes and Roy continues composing, using one woman after another. 

    Roy, Nancy, Joe and Phil visit an expensive nightclub [Blue Daughter of Heaven]. Roy is introduced to the audience and asked to perform [Should I?]. Roy then goes to a party, leaving Nancy with Joe. 

    The next morning, Roy, Joe and Nancy are at a recording studio and hear, over a loudspeaker, the voice of a woman singing Should I?. Joe recognizes the voice as someone he knew a long time ago [Should I?]. Nancy and Joe hear Roy introducing himself to the singer, Ardis Trevelyn. Ardis pretends not to remember Joe, who is upset by this. 

    Joe introduces himself to Ardis (Ethelind Terry)

    Ardis takes Roy back to her apartment for lunch. He tells her meeting her has made this the most important day of his life, and immediately starts composing lyrics based on the idea. Later, Ardis calls Roy when he is performing in Boston: Roy is to write the numbers for her new Broadway show, and he, Joe and Nancy will also perform. [The Woman in the Shoe]

    Joe tells Nancy that they have to break up Roy’s relationship with Ardis, because she is not capable of loving anyone. He then realizes that Nancy loves Roy, and decides to set Roy straight. 

    Roy is asking Ardis why she will not marry him when Joe enters. Joe tells Roy that Ardis cannot marry him because she is already married: he and Ardis married seven years ago and she gave him the air after four. Roy gets belligerent and orders Joe to get a divorce. Joe leaves the theatre and is knocked down by a taxi. Back at the apartment Roy and Joe share, a doctor tells Nancy that Joe is dying. Roy and Ardis arrive and hear the news. Joe dies before Roy can see him. 

    Later, Roy writes a song in Joe’s memory. He tells Phil it is the best thing he has written and wants more money for it. Nancy visits Roy and asks him not to exploit Joe’s death in a song. She asks him to do it for her, because she loves him. She does not want him to be cheap and selfish. After Nancy leaves, Roy tells Ardis that he realizes everything he has written was squeezed from someone’s misery and tears. Ardis says she always knew he never had an idea he did not steal. Roy rips up the song about Joe. Ardis tells him he will starve if he stops writing popular songs, and walks out on him. 

    Nancy (Marion Shilling) begs Roy not to exploit Joe’s death, while Ardis looks on

    Some time later, Roy only has $200 left and has been unable to write anything, and he has started drinking. 

    Later still, Roy looks the worse for wear and fails to get back his old job at the Trocadero. He meets Bessie and goes back to her apartment. Roy reminds her of when he called her old love letters mush and says the joke is on him now, because he  has been carrying around a letter from Nancy for months. Roy had sent Nancy a song he wrote for her, but she says she has never listened to it and they should not see each other again. Bessie turns on the radio and Roy recognizes the song he wrote for Nancy [Only Love Is Real]. He realizes that she did play it after all. Roy rushes off to find Nancy, leaving Bess alone. 

    The song is a big hit and Roy and Nancy marry. At their new apartment, Roy gets the inspiration for a new song [You’re the Bride and I’m the Groom].

  • They Learned About Women

    Opinion

    They Learned About Women is a contender for the worst title ever given to a film musical. ‘Playing the Field’ and ‘Take It Big’ were other suggested titles, but undoubtedly lend themselves to innuendo. The other contender, ‘The Pennant-Winning Battery’ would arguably have been worse.

    Van and Schickel were very popular entertainers, and their musical performances give an inkling of why they were so liked. But they were no great shakes as actors and it seems likely they would have gone the same way as the Duncan Sisters after It’s a Great Life, if Schickel’s untimely death had no rendered the matter moot.  

    Sam (Benny Rubin), Jack (Joe Schickel) and Tim (Tom Dugan) at the start of a new season. Jerry (Gus Van) is AWOL.

    They Learned About Women was the second Metro musical outing for the songwriting team of Milton Ager and Jack Yellen, and is notable for being the first of the studio’s musicals with a score entirely written by one team. These remained a rarity for the next forty years. It’s a fairly average set of numbers, though ‘Ten Sweet Mamas’ is notable for several reasons. It is a very early integrated number, in two senses: it is sung by Gus Van not on a stage, but in a shower room, with the chorus engaged in their ablutions while singing; Van washes himself then lies face down on a massage table. 

    The song is also integrated in the way it comments on the themes and plot

    Jerry tells the other players all about his Ten Sweet Mamas

    of the film. ‘Ten Sweet Mamas’ is a variation on ‘Ten Green Bottles,’ with the number of mamas reducing throughout the song; in fact, Van starts singing at the seven point. The song’s subject is unfaithfulness, ostensibly female (“Can’t trust a woman/I have found”), though in fact the blame swings both ways (he loses his last mama because she catches him with his wife). The lyrics foreshadow Jack’s fickleness and Daisy’s duplicity. The shower room setting, coyly shot though it is, positions the film as pre-code, as does the lyric “Had two sweet mamas for my jelly roll,” which was a euphemism for sexual intercourse. 

    The film’s other highpoint is its one production number, ‘Harlem Madness,’ which gave Nina Mae McKinney, the breakout star of Hallelujah, her second and final opportunity to shine. Her singing and dancing is joyously eccentric enough to merit the song’s title.

    Nina Mae McKinney gives it her all in ‘Harlem Madness’

    The direction in They Learned About Women is fairly lacklustre, even though it took two directors to achieve it. It was far from unusual at MGM, at that time, for one director to complete another’s film, but it seems unclear why, on this occasion, Conway and Wood were given a shared credit.

    Bessie Love works hard, as always, but there are diminishing returns for her third dose of heartbreak in a year. Frankly, Jerry is as big a chump as Terry in Chasing Rainbows; she would probably have been better off with Jerry.

  • They Learned About Women

    Synopsis

    Jerry Burke and Jack Glennon are baseball players for the Blue Sox who perform as a vaudeville act during the off-season. They are on a train to Florida for the start of the new season, along with a bevy of chorus girls. Jerry is very drunk, but insists they perform one more song before going to bed [He’s That Kind of a Pal]

    Jack gets Jerry into bed, then hears golddigger Daisy Gebhart crying. Her tears are fake, but he is fooled by her pretence of innocence. Meanwhile, Jerry slips out of bed and goes back to entertaining the girls.

     

    Jack (Joe Schenk) is taken in by the tears of golddigger Daisy (Mary Doran)

    The next morning, Jack finds that the carriage containing Jerry was left behind during the night. Jack’s girl, Mary Collins, meets him at the station. As the train is pulling out, Jack thinks he hears Jerry’s voice. He jumps on board, but it turns out to be a record. 

    Later that day, the Blue Sox are training, while Mary types for the team’s owner, Stafford. Jack reunites with his friends Sam Goldberg and Tim O’Connor. Haskins, a new signing, upsets Coach Brennan with his practical jokes. 

    Jerry arrives in a taxi, still in his pyjamas. Brennan tells Jack and Jerry to get Haskins out. They succeed when they realize he cannot handle slow balls. 

    Several days later, the team is relaxing in a hotel. Mary sews on a button for Jerry, who asks if she will still do it when she is married to Jack [A Man of My Own]. Jack is talking to Daisy about her problems; she wheedles money from him and then kisses him. He says they probably should not see each other again, but agrees that they can write to each other. Jack introduces Mary as his fiancee and Daisy leaves [Does My Baby Love?; There Will Never Be Another Mary]. While Jack is talking to Mary, it is clear he still has Daisy on his mind, even though he says “a guy would be crazy to think of anyone but you”. 

    Mary (Bessie Love) sings ‘A Man of My Own’. Between takes, Love would entertain the cast with her trusty uke.

    Half-way through the season, Jack receives a letter from Daisy, to whom he has been writing regularly. [Ten Sweet Mamas]. Jack asks Jerry to have dinner with Mary because he has a business meeting. At a nightclub, Jerry spots Jack and Daisy at another table. He tries to get Mary out, but she notices Jack and Daisy dancing while Jerry is fetching his hat. Mary pretends to be happy while Jerry puts her into a taxi, but cries as it drives away. Jerry goes back into the nightclub and pretends to be drunk, forcing Jack to take him home. 

    Back at the hotel, Jerry tells Jack he is a fool if he is ditching Mary for Daisy. He leaves Jack alone with Mary, who tells Jack she saw him with Daisy and now realizes that she and he are not really in love with each other. They agree to remain friends, but afterwards Jerry finds Mary distraught. 

    The next morning, Jerry tells Sam that Jack has been out all night. They find Daisy waiting in reception and insult her. Back in their room, Jerry and the others try to persuade Jack to stay away from Daisy, but he reveals that they got married that morning. 

    In the off-season, Daisy accompanies Jack and Jerry on tour, but there are gossip column reports of friction in the dressing room. Daisy is trying to persuade Jack to include her in the act. Meanwhile, Jack is impervious to how much Jerry and Daisy hate each other. The ball team and Mary are in the audience that evening, and are meeting Jerry at the hotel afterwards. Daisy says she and Jack cannot join them, because they are going to another party where a big booker will be present, but Jack persuades Daisy to go alone. 

    Daisy is trying to get bookings for herself and Jack as a double act, but Jack is feeling guilty about Jerry and about his plan to give up baseball [Dougherty Is the Name; I’m an Old-Fashioned Guy]. In the audience, Tim shouts for them to sing ‘Mary’, until Sam forces him to stop. [Harlem Madness]

    At Jerry’s party, Mary gives him and Jack their contract for next season. Jack and Mary are awkward together, while Jerry torments Daisy when she calls to speak to Jack. Sam and Tim try out their new double act, ending when Sam accidentally knocks out Tim with a candlestick. 

    Van and Schenck recreat their stage act

    Daisy arrives, but Jerry has told the house detective not to let her in. She sneaks in anyway and tells Jerry and the others that Jack is through with baseball and that they are throwing Jerry out of the act. When Jack shows signs of weakening, Daisy tells him that Jerry made a play for her before they were married and has been pestering her ever since. Jack punches Jerry and leaves with Daisy. Mary comforts Jerry. 

    Later, the Blue Sox are on a winning streak, largely owing to Jerry’s pitching. A bottle is thrown at Jerry during a match, and Jack, who is in the crowd, punches the offender and is reunited with Jerry. Afterwards, Jack tells Jerry and Mary that his new act has not been doing well, then finally confesses that Daisy has left him and he has not worked for months. Jerry says Jack can come back to the team and goes to speak to Brennan. Jack tells Mary that he has never really loved anyone but her, and she tells him that she is going to marry Jerry. Jack tells her to forget what he said. 

    Later, the Blue Sox are to play in the World Series. Jack is back on the team, but is not pitching well and is benched after the Blue Sox lose their first game. Jerry realizes that Jack is still in love with Mary. At the deciding game, the Blue Sox are trailing badly. During a break for rain, Jerry tells Brennan he should play Jack, and he tells Jack that he cannot go through with his marriage to Mary. Jack confesses that he still loves her, which is why he has been playing badly. When play resumes, Brennan sends Jack on to pitch and he throws well. When the Blue Sox are put in to bat, Jack is hit in the head by the ball. But he plays on and Jerry hits a home run, winning the game. Jack collapses and comes to in Mary’s arms. She tries to pull away from his embrace, Jerry selflessly indicates that everything is all right.                  

  • Chasing Rainbows

    Synopsis

    A roadshow tour of a Broadway hit set during the First World War ends with a big production number [Happy Days Are Here Again].

    Eddie Ross, the stage manager, tells the cost to be on the train in 55 minutes. Carlie Seymour asks her partner Terry Fay to eat with her. He agrees, but then rushes to invite Peggy, the leading lady with whom he is in love, to go with them. Terry then asks Carlie to finish his packing.

    Drunken wardrobe mistress Polly maintains a feud with Bonnie, an older performer.

    Eddie asks Carlie what Terry would do without her, and she laughingly replies that Terry is just a big kid and she never takes him seriously. Eddie asks Carlie to have a drink with him, but she says she is eating with Terry.

    At the station, the company’s trunks are loaded onto the train. Carlie tells Eddie that Terry never showed up at the restaurant. Peggy arrives at the last minute with a “rich barber from Kansas City” who follows her from theatre to theatre. Terry tells the barber to stop bothering Peggy, who then quits and leaves with the barber.

    On the train, Terry hints he may kill himself, but Bonnie indicates this is a regular occurrence [Poor But Honest]. Eddie tells Terry that if he is going to kill himself, he has to give two weeks’ notice. Carlie tries to talk Terry round, telling him no one in the show thought Peggy was good enough for him. She tells Terry that his problem is that he is always too good to women; if he wants one to stick by him, he needs to stay indifferent and not show her too much affection. Terry determines to punch on the nose the next girl he falls for.

    Daphne Wayne joins the company as Peggy’s replacement. Daphne and company-member Don Cordova have had a relationship in the past.

    At the rehearsal, Eddie explains the plot of the show to Daphne: Terry is in love with her, and he is secretly loved by Carlie. Carlie stands in for Daphne to demonstrate the opening number [Lucky Me, Lovable You]. It is the first time Terry has sung a love song to her. The rehearsal continues and Daphne performs her first number [Do I Know What I’m Doing?]. Don and Carlie can both see that Terry is already falling for Daphne.

    Some time later, the company is getting ready for a matinee performance. Bonnie tells Carlie she needs to stop fussing over Terry, but Carlie says she hardly sees him any more. She then goes to Terry’s dressing room and tidies it. Terry is besotted with Daphne, who has told him he is “the first guy I ever really cared for”. When Carlie fails to be excited by this news, Terry angrily tells her she doesn’t know what real love is, but immediately apologizes. Carlie says it is okay, because she knows him so well. [Everybody Tap].

    While Terry is on stage [Love Ain’t Nothin’ but the Blues], Carlie overhears Daphne tell Don that she is only using Terry to advance her career, but will see him secretly.

    After the performance Carlie goes to Daphne’s dressing room and tells her how devastated Terry would be if he found out about Don. Daphne denies everything, even after Carlie tells her she overheard them. Terry arrives as Carlie is leaving and finds Daphne pretending to cry. Terry challenges Carlie about spreading lies, and she pretends it was just a joke. Terry follows Carlie out of the theatre and says she must apologize to Daphne, but Carlie refuses.

    Returning to the theatre, Terry sees Daphne entering Don’s room. Daphne explains to Don that Terry’s sister is married to an influential theatre owner. She plans to use Terry as a stepping stone to Broadway, and is prepared to marry him if necessary. Terry enters the room just as Daphne and Don kiss.

    Back at the hotel, Terry finds Carlie in her room, sitting in the dark. He apologizes and tells her about Daphne and Don. Terry tells her he is leaving the show, and Carlie replies that he is old enough to know what he is doing. Terry relents and says he will not give Daphne the satisfaction; he and Carlie have worked too hard to get where they are to let Daphne split up the act. He seems to notice for the first time how attractive Carlie is [Lucky Me, Lovable You]. They agree to stick together no matter what happens, and Terry tells Carlie he is beginning to fall for her and then kisses her. He orders dinner and arranges to meet Carlie in the lobby.

    Terry meets Daphne in the hall and she begs for a chance to explain. Later, during the intermission, Carlie tells Bonnie what has happened between her and Terry, but Bonnie is sceptical. Carlie goes to Terry’s room and apologizes for not getting down in time for dinner. Daphne walks in and shows off a wedding ring. Carlie laughs at the joke this will be when the company hears, and is hysterical by the time she gets back to her own dressing room.

    Months later, it is the last town of the tour and Carlie is now dating Eddie. On the closing night, Bonnie and Polly make up their differences and get drunk. Terry shamefacedly tells Carlie he is splitting up the act so he can partner with Daphne. Carlie says it is only natural and that she will be fine. She agrees to spend the summer with Eddie on his mother’s farm. Terry is irrationally jealous and advises Carlie not to go.

    Later, Daphne meets Don in her dressing room and tells him again that Terry means nothing to her. Terry overhears everything from the next room and beats up Don. Terry tells Daphne he never wants to see her again. Terry tells Eddie he cannot go on for the last act, but Carlie finally loses patience and tells him off. Daphne has quit, but the show goes on [My Dynamic Personality]. Carlie joins Terry on stage and they are reunited [Happy Days Are Here Again].    



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