The Musicals of Metro-Goldwyn-Mayer

Category: Performers

  • Brox Sisters

    The Brock sisters–Eunice (1901-93), Josephine (1902-99) and Kathleen (1904-88)–became the singing Brox Sisters as children, and were touring the vaudeville circuit when barely in their teens. 

    By the early twenties they were singing in Broadway revues, and recorded a number of songs which they debuted for their friend Irving Berlin, notably ‘Everybody Step’. They performed in The Cocoanuts (1925) with the Marx Brothers and were featured performers with Eddie Cantor in the Ziegfeld Follies of 1927. 

    The Brox Sisters’ first screen appearances were in some of the very earliest Vitaphone shorts made by Warner Bros. Photoplay wrote at the time: “Low voices register most successfully on the Vitaphone, so the performance of the Brox sisters, with their mezzo-soprano and contralto, is flawless.”

    Later, they sang a couple of numbers, including ‘Singin’ in the Rain’, in The Hollywood Revue of 1929. 

    The Brox Sisters became radio stars, but disbanded after Josephine (known professionally as Bobbe) got married. They reunited once, in 1939, for a radio tribute to Irving Berlin.

  • Dorothy Coonan

    Dorothy Rae Coonan (1913-2009) started dancing professionally aged 14, making her first screen appearance in the chorus line of The Broadway Melody. She worked several times on films choreographed by Busby Berkeley.

    In 1933, director William Wellman gave her one of the leads in Wild Boys of the Road. She played Sally, the teenage hobo who disguises herself as a boy to ride the freight trains. 

    She and Wellman married in the following year, and remained together for over four decades, until his death in 1975.

    Dorothy Wellman retired after her marriage, though she did make an uncredited appearance as a nurse in her husband’s The Story of GI Joe (1945). IMDb states she played a chorus girl in Sis Hopkins (1941), a low-budget Judy Canova comedy, but this seems unlikely.

  • Diana Verne

    Like a number of other performers, Diana Verne (19??-??) was a member of the chorus line in The Broadway Melody and nothing else is known about her.

  • Marshall Ruth

    Marshall Ruth (1898-1953) was an actor who worked steadily in films for twenty years, almost always uncredited. His size and shape made him a natural choice when 20th-Century-Fox were looking for someone to play Roscoe Arbuckle in Hollywood Cavalcade (1939).

    In The Broadway Melody, Ruth played the impresario Zanfield’s assistant.

  • Alice Pitman

    Alice Pitman (19??-??) appeared as a member of the chorus line in The Broadway Melody. Nothing else is known about her.

  • Charlotte Merriam

    Charlotte Merriam (1903-72) started out as a screen actor playing in silent shorts, but graduated to features. Perhaps her most important role was the lead in The Brass Bottle (1923), which was directed by Maurice Tourneur. She also had an important part in the first screen version of Captain Blood (1923).

    Merriam transitioned into sound pictures, where she memorably played the negligent mother in Night Nurse (1931). Less memorably, she made an uncredited appearance in The Broadway Melody, playing a flapper.

  • Betty Arthur

    Elizabeth Kathryn Leopold (1910-2005) was a dancer who was, apparently, discovered at a young age by prima ballerina and dessert inspirer Anna Pavlova. 

    She made a handful of screen appearances in the late twenties,and her low point as a dancer may well have been in the chorus line of The Broadway Melody.

  • Edward Dillon

    Edward Dillon (187?-1933) appeared on at least 340 films, most of them in the silent era, from 1908 onwards. He worked under D W Griffith and played leads opposite Mary Pickford. He also directed around 140 films, including a 1915 version of Don Quixote.

    In sound pictures, Dillon was usually uncredited. This includes The Broadway Melody, which starred Bessie Love, whom Dillon had directed in A Daughter of the Poor (1917). 

  • J Emmett Beck

    J Emmett Beck (19??-45) is an actor with just three citations in the AFI register.

    One of these, and the last one, is Babe Hatrick in The Broadway Melody.

  • Ann Sothern

    Harriette Arlene Lake (1909-2001) was described as “the greatest comedienne” by Lucille Ball, who was probably a good judge.

    In a career of almost sixty years, Ann Sothern was successful on stage, film, television and radio. In Hollywood, she moved from studio to studio before settling at MGM, where she was cast as Maisie Ravier in Maisie (1939). The film’s success gave a boost to her moderately successful career, as well as resulting in nine sequels and a radio series.

    When she stopped getting lead roles, Southern moved predominantly to television. But her last great big screen performance, in The Whales of August (1987) earned her an Oscar nomination for Best Supporting Actress.

    Ann Sothern was in seven Metro musicals. Early on, she made blink-and-you’ll-miss-them appearances in Good News and Madam Satan. Ten years later, she was back with the lead  in Lady Be Good (Eleanor Powell’s top billing being contractual rather than deserved). She next took the title role in Panama Hattie, then played herself in Thousands Cheer. She was Broadway star Joyce Harmon in Words and Music, and finished off playing Jane Powell’s mother in Nancy Goes to Rio. 

Social media & sharing icons powered by UltimatelySocial
RSS
Facebook
X (Twitter)
WhatsApp
Copy link
URL has been copied successfully!