Category: Performers

  • Benny Rubin

    Benny Rubin (1899-1986), like Cliff Edwards, was a recurring presence in Metro’s earliest musicals. A talented dialect comedian, he was limited in most of his musical appearances to a Jewish characterization; it has been suggested that his career was hampered by the idea that he looked “too Jewish”.

    Rubin’s first appearance was alongside Edwards in Marianne, and he followed this up as vaudeville booker Benny Friedman in It’s a Great Life. He is the Jewish half of a double act with Irish Tom Dugan in They Learned About Women, and an agent in Lord Byron of Broadway.

    Rubin plays a doctor from the Bronx who finds himself amongst the cowboys in Montana Moon, while he is back in New York’s show biz as a pianist in Children of Pleasure. In Love in the Rough he is a fish-out-of-water Russian immigrant masquerading as Robert Montgomery’s valet. 

    The 1932 moratorium followed and Rubin was absent from MGM’s musicals until 1953’s Torch Song. He then had, mostly uncredited, roles in Easy to Love, Meet Me in Las Vegas, Ten Thousand Bedrooms and Looking for Love

    Benny Rubin’s final appearance was as another Jewish agent in Orson Welles’s film maudit The Other Side of the Wind (filmed in the 70s, released 2018).

  • George Baxter

    George Baxter (1905-76) made a steady living for over thirty years, often uncredited, in films, television and radio. Marianne was his first film role, as the noble André. He appeared without credit in Lubitsch’s The Merry Widow, and reappeared in the Golden Age with a part in Lili.

  • Cliff Edwards

    The man who contributed greatly to the 20s’ ukelele craze. The performer who performed ‘Singin’ in the Rain’ in its feature film debut. The voice of Jiminy Cricket in Pinocchio (1940). Just three of the reasons why Clifton Avon Edwards (1895-1971), or ‘Ukelele Ike,’ ought not to be quite as forgotten as he is.

    Edwards was a successful vaudeville and café performer, allegedly dubbed ‘Ukelele Ike’ by a waiter who could never remember his name. He became a ubiquitous figure in the early Metro musicals, appearing in over a third of the studio’s productions in 1929-31.

    Edwards’s rendition of ‘Singin’ in the Rain’ in The Hollywood Revue of 1929, though lacking Gene Kelly’s familiar phrasing, was good enough to earn the song a reprise in the hastily-devised finale, in which also appeared.

    His first acting role was as Soapy, one of the doughboys in Marianne. He then added musical support in So This is College and performed a speciality number in They Learned About Women. Lord Byron of Broadway saw him in the, not really challenging, role of a vaudeville singer, after which he was way out west as one of the hero’s buddies in Montana Moon

    Edwards made an uncredited appearance as himself in Children of Pleasure and has a featured role as the Coach’s assistant, Pooch Kearney, in the 1930 version of Good News. He was then one of Lawrence Tibbett’s hobo pals in The Prodigal.

    The film musical hiatus of 1932 soon followed, and Edwards only appeared in one further musical for Metro, as Minstrel Joe in The Girl of the Golden West

    At his height, in the late 1920s, Cliff Edwards was earning $4000 a week. By the time of his death, he was an indigent charity patient in a Hollywood hospital; his body was unclaimed for several days because no one knew who he was. 

  • Lawrence Gray

    Lawrence Gray (1898-1970) was a jobbing actor who began in silent pictures and whose good looks made him an amenable leading man for, amongst others, Gloria Swanson, Colleen Moore and Norma Shearer. His singing voice was also good enough to win him parts in four early MGM musicals: Marianne, It’s a Great Life, Children of Pleasure and, opposite Marian Davies for the second time, in The Florodora Girl

    The parts on offer started to decline and Gray retired in 1936. He and his wife moved to her native Mexico, where he worked in the distribution side of the film industry. 

  • The Hollywood Revue of 1929

    Cast

    Conrad NagelConrad Nagel – Mr Interlocutor
    Jack BennyJack Benny – Master of Ceremonies
    John GilbertJohn Gilbert / Romeo
    Norma ShearerNorma Shearer / Juliet
    Joan CrawfordJoan Crawford
    Bessie LoveBessie Love
    Cliff EdwardsCliff Edwards / Ukulele Ike (as Ukulele Ike)
    Stan LaurelStan Laurel
    Oliver HardyOliver Hardy
    Anita PageAnita Page
    Nils AstherNils Asther (scenes deleted)
    Natacha Nattova Dance CompanyNatova and Company
    Marion DaviesMarion Davies
    William HainesWilliam Haines
    Buster KeatonBuster Keaton / Princess Raja
    Marie DresslerMarie Dressler
    Charles KingCharles King
    Polly MoranPolly Moran
    Gus EdwardsGus Edwards
    Karl DaneKarl Dane (as Dane)
    George K. ArthurGeorge K. Arthur (as Arthur)
    Gwen LeeGwen Lee
    Albertina Rasch DancersBallet Dancers (as Albertina Rasch Ballet)
    The RoundersThe Rounders – Vocal Quintet
    Arthur LangeArthur Lange – Orchestra Leader
    Lionel BarrymoreLionel Barrymore – Director of ‘Romeo and Juliet’ (uncredited)
    Nacio Herb BrownHerb Nacio Brown (uncredited)
    Bobbe BroxBobbe – One of the Brox Sisters (uncredited)
    Kathlyn BroxKathlyn – One of the Brox Sisters (uncredited)
    Lorayne BroxLorayne – One of the Brox Sisters (uncredited)
    Eddie BushEddie Bush – Member of Biltmore Quartet (uncredited)
    Ray CookeRay Cooke / Messenger (uncredited)
    Ann DvorakAnn Dvorak – Chorus Girl (uncredited)
    Ernest Belcher’s Dancing TotsDancing Tots (uncredited)
    Paul GibbonsPaul Gibbons – Member of Biltmore Quartet (uncredited)
    Ches KirkpatrickChes KIrkpatrick – Member of Biltmore Quartet (uncredited)
    Carla LaemmleCarla Laemmle / Pearl Dancer (uncredited)
    Angella MawbyAngella Mawby – Title Card Trio (uncredited)
    Claudette MawbyClaudette Mawby – Title Card Trio (uncredited)
    Claudine MawbyClaudine Marby – Title Card Trio (uncredited)
    Myrtle McLaughlinMyrtle McLaughlin (uncredited)
    Eddie NugentChorus Boy (uncredited)
    June PursellVocalist in ‘Low Down Rhythm’ (uncredited)
    Albertina RaschAlberterni Rasch – Leader of Albertina Rasch Ballet (uncredited)
    Bill SecklerBill Seckler – Member of Biltmore Quartet (uncredited)
    James BurroughsSinger (uncredited)
    Joyce MurraySpeciality dancer (uncredited)
  • Marion Davies

    It is a regrettable side effect of Citizen Kane’s success that the name of Marion Davies (1897-1961) has become linked with that of Susan Alexander, the second-rate singer and mistress of the newspaper magnate. The second of these is undeniably a similarity: Davies was the long-term companion of William Randolph Hearst, the main inspiration for the character of Kane, and Hearst certainly made some inappropriate decisions about her career. But Marion Davies was far from being a second-rate performer. In David Thomson’s words, she was “a genuinely funny actress who did good work”. Davies’s most successful period was in silent films, but she made a successful transition to sound, overcoming the obstacle of a stammer.  

    Davies’s appearance in The Hollywood Revue of 1929 was a less than triumphant start to her musical career, singing and dancing furiously to two songs, dressed in the type of military uniform Hearst loved to see her in.   

    She is seen to better effect as the eponymous Marianne (which she co-produced), though the musical demands made on her are admittedly far less than in the earlier appearance. Davies’s strengths are seen in the light comedy aspects of her role. Davies was an equally-fetching protagonist in The Florodora Girl (which she produced) and, in particular, opposite Bing Crosby in Going Hollywood

    Some commentators list Blondie of the Follies (1932) as a musical, but is actually a romantic comedy featuring an attractive performance by Davies.

  • Marianne

    Cast

    Marion DaviesMarianne
    George BaxterAndré
    Lawrence GrayStagg
    Cliff EdwardsSoapy
    Benny RubinSam
    Scott KolkLieut. Frane
    Robert EdesonThe General
    Emile ChautardPère Joseph
    Ernie AlexanderOne of the Doughboys (uncredited)
    Oscar ApfelMaj. Russart (uncredited)
    John CarrollDoughboy (uncredited)
    Drew DemorestDoughboy (uncredited)
    Sherry HallSoldier in Russart’s Office (uncredited)
    Seymour KupperTeen-Age Boy (uncredited)
    George MagrillMilitary Policeman (uncredited)
    Douglas ScottSylvestre (uncredited)
    Harry TenbrookDoughboy (uncredited)
    Dick WinslowTeen-age boy playing accordion for soldiers’ marching song (uncredited)
  • Victoria Spivey

  • Harry Gray

  • William Fountaine

    Hallelujah was the last of the handful of films made by William Fountaine (1897-1945), starting with the lead in Oscar Micheaux’s Uncle Jasper’s Will (1922). He was forthright about his refusal, along with other performers, to speak the racist language originally included in Hallelujah!‘s screenplay. 

Social media & sharing icons powered by UltimatelySocial
RSS
WhatsApp
Copy link
URL has been copied successfully!