Category: Performers

  • Cliff Edwards

    The man who contributed greatly to the 20s’ ukelele craze. The performer who performed ‘Singin’ in the Rain’ in its feature film debut. The voice of Jiminy Cricket in Pinocchio (1940). Just three of the reasons why Clifton Avon Edwards (1895-1971), or ‘Ukelele Ike,’ ought not to be quite as forgotten as he is.

    Edwards was a successful vaudeville and café performer, allegedly dubbed ‘Ukelele Ike’ by a waiter who could never remember his name. He became a ubiquitous figure in the early Metro musicals, appearing in over a third of the studio’s productions in 1929-31.

    Edwards’s rendition of ‘Singin’ in the Rain’ in The Hollywood Revue of 1929, though lacking Gene Kelly’s familiar phrasing, was good enough to earn the song a reprise in the hastily-devised finale, in which also appeared.

    His first acting role was as Soapy, one of the doughboys in Marianne. He then added musical support in So This is College and performed a speciality number in They Learned About Women. Lord Byron of Broadway saw him in the, not really challenging, role of a vaudeville singer, after which he was way out west as one of the hero’s buddies in Montana Moon

    Edwards made an uncredited appearance as himself in Children of Pleasure and has a featured role as the Coach’s assistant, Pooch Kearney, in the 1930 version of Good News. He was then one of Lawrence Tibbett’s hobo pals in The Prodigal.

    The film musical hiatus of 1932 soon followed, and Edwards only appeared in one further musical for Metro, as Minstrel Joe in The Girl of the Golden West

    At his height, in the late 1920s, Cliff Edwards was earning $4000 a week. By the time of his death, he was an indigent charity patient in a Hollywood hospital; his body was unclaimed for several days because no one knew who he was. 

  • Lawrence Gray

    Lawrence Gray (1898-1970) was a jobbing actor who began in silent pictures and whose good looks made him an amenable leading man for, amongst others, Gloria Swanson, Colleen Moore and Norma Shearer. His singing voice was also good enough to win him parts in four early MGM musicals: Marianne, It’s a Great Life, Children of Pleasure and, opposite Marian Davies for the second time, in The Florodora Girl

    The parts on offer started to decline and Gray retired in 1936. He and his wife moved to her native Mexico, where he worked in the distribution side of the film industry. 

  • Marion Davies

    It is a regrettable side effect of Citizen Kane’s success that the name of Marion Davies (1897-1961) has become linked with that of Susan Alexander, the second-rate singer and mistress of the newspaper magnate. The second of these is undeniably a similarity: Davies was the long-term companion of William Randolph Hearst, the main inspiration for the character of Kane, and Hearst certainly made some inappropriate decisions about her career. But Marion Davies was far from being a second-rate performer. In David Thomson’s words, she was “a genuinely funny actress who did good work”. Davies’s most successful period was in silent films, but she made a successful transition to sound, overcoming the obstacle of a stammer.  

    Davies’s appearance in The Hollywood Revue of 1929 was a less than triumphant start to her musical career, singing and dancing furiously to two songs, dressed in the military uniform Hearst loved to see her in.   

    She is seen to better effect as the eponymous Marianne (which she co-produced), though the musical demands made on her are admittedly far less than in the earlier appearance. Davies’s strengths are seen in the light comedy aspects of her role. Davies was an equally-fetching protagonist in The Florodora Girl (which she produced) and, in particular, opposite Bing Crosby in Going Hollywood

    Some commentators list Blondie of the Follies (1932) as a musical, but is actually a romantic comedy featuring an attractive performance by Davies.

  • Marianne

    Cast

    Marion DaviesMarianne
    George BaxterAndré
    Lawrence GrayStagg
    Cliff EdwardsSoapy
    Benny RubinSam
    Scott KolkLieut. Frane
    Robert EdesonThe General
    Emile ChautardPère Joseph
    Ernie AlexanderOne of the Doughboys (uncredited)
    Oscar ApfelMaj. Russart (uncredited)
    John CarrollDoughboy (uncredited)
    Drew DemorestDoughboy (uncredited)
    Sherry HallSoldier in Russart’s Office (uncredited)
    Seymour KupperTeen-Age Boy (uncredited)
    George MagrillMilitary Policeman (uncredited)
    Douglas ScottSylvestre (uncredited)
    Harry TenbrookDoughboy (uncredited)
    Dick WinslowTeen-age boy playing accordion for soldiers’ marching song (uncredited)
  • Victoria Spivey

  • Harry Gray

  • William Fountaine

    Hallelujah was the last of the handful of films made by William Fountaine (1897-1945), starting with the lead in Oscar Micheaux’s Uncle Jasper’s Will (1922). He was forthright about his refusal, along with other performers, to speak the racist language originally included in Hallelujah!‘s screenplay. 

  • Nina Mae McKinney

    Nina Mae McKinney (1913-67) was one of the many Black performers–talented and beautiful–whose careers were stifled by Hollywood racism. 

    After relocating from South Carolina to New York, McKinney was only 15 when she was cast in the all-Black Broadway musical revue Blackbirds of 1928. Her performance was noted by King Vidor, who subsequently cast her as the female lead in Hallelujah. She replaced his original choice, who was rejected by Irving Thalberg as lacking sex appeal. 

    McKinney received glowing reviews for her performance as Chick and it secured her a five-year contract with MGM, but no further roles of substance. She made an uncredited appearance as a singer in They Learned About Women, and eventually walked out on MGM. Richard Watts of The New York Herald Tribune wrote at the time that her “exile from the cinema is the result entirely of narrow and intolerant racial matters.”

    She made only a few films thereafter, perhaps most notably as Paul Robeson’s queen in Sanders of the River (1935) and as Rozelia in Pinky (1949).

  • Daniel M Haynes

    Daniel M Haynes (1894-1954) was a successful stage actor working as Jules Bledsoe’s understudy in Show Boat when he was offered the lead role of Zeke in Hallelujah. The part had been intended for Paul Robeson, but he was unavailable. 

    Inevitably, given the times, Haynes’s powerful performance did not open the door to a film career. King Vidor used him again in So Red the Rose, but further down the cast list. Other than that, Haynes’s film work was mostly uncredited bits, and he eventually gave up acting to become a Baptist minister. 

  • Hallelujah

    Cast

    Daniel L. HaynesZeke
    Nina Mae McKinneyChick
    William FountaineHot Shot
    Harry GrayParson
    Fanny Belle DeKnightMammy
    Everett McGarritySpunk
    Victoria SpiveyMissy Rose
    Milton DickersonJohnson Kid
    Robert CouchJohnson Kid
    Walter TaitJohnson Kid
    Dixie Jubilee SingersVocal Ensemble
    Matthew ‘Stymie’ BeardChild (uncredited)
    Evelyn Pope BurwellSinger (uncredited)
    Eddie ConnersSinger (uncredited)
    William Allen GarrisonHeavy (uncredited)
    Eva JessyeSinger (uncredited)
    Sam McDanielAdam (uncredited)
    Clarence MuseChurch Member (uncredited)
    Arvert PottBlack Child (uncredited)
    Madame Sul-Te-WanChurch Member (uncredited)
    Blue WashingtonChurch Member (uncredited)
    Georgia WoodruffSinger (uncredited)

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