Category: Choreographers

  • Albertina Rasch

    Albertina Rasch (1891-1967) was an important component of early MGM musicals. She provided dance direction for seven pictures, which normally featured her eponymous ballet troupe, as well as acting in two others.

    Rasch trained at the State Opera House in Vienna, and pursued a career there before relocating to the United States when she was around 18. She was involved in spectacular productions at the 5,000-seat New York Hippodrome and performed as prima ballerina with a number of companies. Rasch also acquired vaudeville experience.

    In the early twenties she established the Albertina Rasch Dancers and played a part in the development of syncopated American Ballet such as ‘Rhapsody in Blue’ (1925).

    At MGM, Rasch developed the insertion of ‘ballet spectacles’ into the studio’s musicals, something she had begun on Broadway. She and her dancers first appeared in The Hollywood Revue of 1929, which was followed by Devil-May-Care, Broadway Melody of 1936 (the ‘Lucky Star’ ballet involving Eleanor Powell), Rosalie, The Girl of the Golden West, The Great Waltz and Sweethearts. She also worked on the abandoned The March of Time.

    Rasch acted in The Rogue Song and appeared without credit in The Firefly

    Rasch was married to composer Dimitri Tiomkin.

  • Sammy Lee

    Sammy Lee (1890-1968), born Samuel Levy, was the first in a line of important choreographers at MGM, though he arguably achieved greater success on Broadway and at Twentieth Century-Fox.

    Lee is uncredited on The Broadway Melody, which he might have been quite happy about, given the rudimentary nature of the dance numbers. He had worked on Ziegfeld’s Follies in 1927, but this is not reflected in the style of the fictional Zanfield’s show. Lee and director Harry Beaumont could not, in this first-ever film musical, determine how to make a stage performance cinematic. Nor were the chorines of the quality Lee would have been used to on Broadway.

    Lee’s first onscreen credit was for ‘Dances and Ensemble’ in The Hollywood Revue of 1929, where he did his best with non-professional dancers Joan Crawford and Marion Davies. He also essayed a pre-Berkeley overhead shot of the chorus.

    Lee went on to stage dances for It’s a Great Life, Chasing Rainbows, Lord Byron of Broadway, They Learned About Women, Free and Easy, Children of Pleasure, Good News, Love in the Rough (which includes an al fresco number performed at a real golf club), A Lady’s Morals, Broadway to Hollywood and Dancing Lady.

    A move to Twentieth Century-Fox earned Lee Academy Award nominations for King of Burlesque (1936) and Ali Baba Goes to Town (1937). He was back at Metro for Honolulu, Hullabaloo, Cairo, Born to Sing, Meet the People and Two Girls and a Sailor.

    Lee had a parallel career as the director of a series of undistinguished shorts.

  • George Cunningham

    Very little seems to be known about George Cunningham (?1904-?62). He is mentioned as the uncredited creator of the rudimentary choreography in The Broadway Melody, though it has been suggested that some of that work was by Sammy Lee. Both Cunningham and Lee are credited on The Hollywood Revue of 1929.

    The trail ends there, though IMDb also cites Cunningham as the director of a few jukebox musical shorts in the 1940s.

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