The comedian Michael Nolan was born in Ireland but raised in Bradford in Yorkshire, where he got his start as a music hall performer. Known as ‘the Prince of Irish Comedians,’ he combined comedy patter with songs, many of which he composed himself.
One of these songs was ‘Little Annie Rooney,’ as featured in The Florodora Girl.
Joe A Hayden (1845-1916) was a lyricist who would be totally forgotten today but for one thing. He wrote the words for Theodore A Metz’s immortal ‘There’ll Be a Hot Time in the Old Town Tonight’ in 1897.
The number has been performed in a vast array of context, one of which was to be sung by Marion Davies in The Florodora Girl.
Theodore August Metz (1848-1936) was born in the Hanover of King Ernest Augustus and died in FDR’s America. Having trained as a violinist, Metz emigrated and eventually found work as conductor for a touring minstrel show.
Metz’s claim to cultural immortality rests on his composition, in 1897, of a tune that has achieved anthemic status in the United States: ‘There’ll Be a Hot Time in the Old Town Tonight’. This song, with lyrics by Joe Hayden, was featured in The Florodora Girl.
Ren Shields (1868-1913) was a folk musician and vaudeville performer who also worked as a lyricist, in which capacity he wrote ‘Make a Noise Like a Hula Hoop and Roll Away (Whoop,Whoop, Whoop)’.
More memorably, Shields provided the lyrics for ‘In the Good Old Summer Time,’ written with George Evans. The number featured in The Florodora Girl and In the Good Old Summertime.
George ‘Honey Boy’ Evans (1870-1915) was a Welsh music hall performer, songwriter and producer who toured the United States with a minstrel show he bought called the Honey Boy Minstrels.
Evans’s best-known contribution to the Great American Songbook was ‘In the Good Old Summer Time,’ written with lyricist Ren Shields in 1902. The number was featured in the Edwardian-set musical The Florodora Girl, and was later the title song of In the Good Old Summertime.
Ralph Spence (1890-1949) became a scenarist in 1912, working for the Selig Company, and went on to contribute to over 130 films. His 1925 Broadway play The Gorilla was filmed several times.
Spence worked on three of Metro’s musicals. He provided additional dialogue for The Florodora Girl, and co-wrote the screenplays for Student Tour and Here Comes the Band.
Eugene Willford Markey (1895-1980) was a journalist and novelist who turned screenwriter with the coming of sound, and was occasionally credited as a producer. He also found time to marry not one, not two, but three top Hollywood actors: Joan Bennett, Hedy Lamarr and Myrna Loy. And he had the honour of being described as “a skunk” by actor Louise Beavers.
Markey served with distinction in the Second World War, unlike his close friends John Wayne and Ward Bond, and despite being older than both of them. He rose to the level of admiral, and reputedly demanded to be addressed as such for the remainder of his long life.
Markey’s most enduring screen credit is as co-writer of the infamous Barbara Stanwyck vehicle Baby Face (1933), probably contributing the references Nietzsche. He also contributed, less memorably, to The Florodora Girl, devising the story and writing dialogue.
In later life, Markey settled down as a horse breeder and Southern gentleman.