Category: Films

  • Stage Mother

    The Crew

    Charles BrabinDirector
    John MeehanScreenplay
    Bradford RopesScreenplay
    Arthur FreedSongwriter
    Nacio Herb BrownSongwriter
    Fred FisherSonwriter (uncredited)
    Thomas J GraySongwriter (uncredited)
    Ernest BallSongwriter (uncredited)
    Chauncey OlcottSongwriter (uncredited)
    George GraffSongwriter (uncredited)
    Don RedmanSongwriter (uncredited)
    Hunt StrombergProducer
    Maurice De PackhComposer (uncredited)
    Louis SilverComposer (uncredited)
    Louis SilverConductor
    George J FolseyCinematographer
    Frank E HullEditor
    Stan RogersArt Director
    Edwin B WillisInterior Decorator
    AdrianCostume Designer
    Douglas ShearerSound Recording Director
    Joseph M NewmanAssistant Director
    Albertina RaschChoreographer

  • Arthur Jarrett

    Arthur Leonard Jarrett Jr (1907-87) was a singer, multi-instrumentalist and bandleader of note during the 1930s and 40s.

    Jarrett had a distinctive high tenor voice and, from the late 1920s, he sang with a variety of bands and also developed a recording career. He also made occasional appearances on the vaudeville stage, and appeared in a Betty Boop animation in 1932. 

    Jarrett founded his own orchestra in 1936, and appeared in a handful of films during the 1930s, including a Poverty Row western.

    Jarrett’s first involvement with MGM musicals was offscreen, when he dubbed for Sam Ash in Stage Mother, singing ‘Beautiful Girl’. In the same year, he appeared as himself in Dancing Lady, followed by Hollywood Party in 1934.

    Later in life, Jarrett worked extensively on television.

  • Edmund Mortimer

    Edmund Mortimer Olson (1874-1944) started out as a professional actor in 1904 and had extensive stage experience when he made his first film ten years later. He would eventually appear in over 380 pictures.

    After serving in the First World War, Mortimer turned his hand to direction and made a couple of dozen films, two of which he also wrote. He returned to acting in 1930, but most of his many roles were without credit.

    Films featuring Mortimer include Red-Headed Woman (1932), Duck Soup (1933), Imitation of Life (1934), Sylvia Scarlett (1935), Mr Deeds Goes to Town (1936), Stella Dallas (1937), The Awful Truth (1937), Holiday (1938), Midnight (1939), Wuthering Heights (1939), Mr Smith Goes to Washington (1939), The Story of Dr Ehrlich’s Magic Bullet (1940), Foreign Correspondent (1940) and Dr Jekyll and Mr Hyde (1941).

    Mortimer appeared uncredited in fifteen MGM musicals: Stage Mother, Dancing Lady, Broadway Melody of 1936, A Night at the Opera, A Day at the Races, Thoroughbreds Don’t Cry, Sweethearts, At the Circus, Little Nellie Kelly, Ship Ahoy, I Dood It, Thousands Cheer, Swing Fever, Two Girls and a Sailor and Bathing Beauty.

  • Tammany Young

    Tammany Young (1886-1936) made regular appearances on Broadway throughout the 1920s, including creating the role of Schwartz in the original production of The Front Page in 1928. He was well-known enough in the theatre world to have his caricature in the collection at Sardi’s restaurant.

    Young’s parallel career as a film actor began way back in 1911, and in 1914 he appeared in a D W Griffith short. In 1914-15, he starred in thirteen short films as Bill the Office Boy. Altogether, he acted in over 100 silent pictures.

    In the sound era, he made many uncredited appearances, but also had featured roles in films such as She Done Him Wrong (1933), Hallelujah, I’m a Bum (1933), Tugboat Annie (1933) and It’s a Gift (1934).

    Young was only in one MGM musical, playing a taxi driver in Stage Mother. His career and well-publicized hobby of gatecrashing high-profile events were ended by his sudden death from a heart attack.

  • Beal Wong

    For a Chinese actor, making a career in Golden Age Hollywood was no easy task, but Beal Wong (1906-62) gave it a good go.He made his debut in an uncredited walk-on in MGM’s Stage Mother, and was still working almost thirty years later, with a final appearance in a Dean Martin comedy, Who’s Got the Action? (1962).

    Wong’s work could be niche, as suggested by the titles of some of the pictures he appeared in: The Mysterious Mr Wong (1934), Charlie Chan in Shanghai (1935), China Passage (1937), Think Fast, Mr Moto (1937), Torchy Blane in Chinatown (1939), Escape from Hong Kong (1942), East of Chinatown (1942).

    He also had to be ‘ethnically flexible’. During the Second World War, there were plenty of roles as long as he was prepared to play a Japanese.

    But Wong did manage to get work in a better class of picture from time to time: Preston Sturges’s Christmas in July (1940); Across the Pacific (1942); Lady of Burlesque (1943); The Keys of the Kingdom (1944); The Secret Life of Walter Mitty (1947); and Experiment in Terror (1962).

    In addition to Stage Mother, Wong appeared in two other MGM musicals, Student Tour and Lady Be Good. 

  • Glen Walters

    Canadian Glen Walters (1901-97) made one of her earliest appearances with Greta Garbo in Flesh and the Devil (1936). Her final acting role was in the television series Kung Fu (1973). You do not get careers like that any more.

    In close to 100 film appearances, Walters would seem to have gained only one role with an onscreen credit, in Henry King’s She Goes to War (1929), and, for some unknown reason, in the only surviving version of the picture, only her first name is given. But she was an exceptionally tall woman, and it is unmistakably her.

    For this reason, it is usually easy to spot Walters in her background roles in films such as The Grapes of Wrath (1940), Swamp Water (1941), The Southerner (1942), Unconquered (1947), All the King’s Men (1947), Adam’s Rib (1949) and The Night of the Hunter (1955).

    Walters appeared in three MGM musicals: Stage Mother, Summer Stock and, most noticeably, in the ‘A Shine on Your Shoes’ number in The Ban Wagon.

  • Monte Vandergrift

    John Montanye Vandergrift (1893-1939) was a character actor who appeared in around 140 pictures, playing police officers in at least sixty of them.

    Prior to making films, Vandergrift worked in vaudeville, performing in a double act with his wife. He also acted on Broadway.

    Vandergrift made his screen debut in 1930, and mostly worked uncredited in programme features. Exceptions included John Ford’s Flesh (1932), King Kong (1933), Magnificent Obsession (1934), Captains Courageous (1937) and It’s a Wonderful World (1939).

    He acted in three Metro musicals, Stage Mother, Here Comes the Band and Balalaika (his final film).

  • Guy Usher

    James Guy Usher (1883-1944) was a theatre actor who became a character actor in films in his late forties, appearing in close to 200, predominantly ‘B’, pictures. His first credited role was as a murder victim in The Penguin Pool Mystery (1932), after which he was frequently cast as senior police officers, including Inspector Queen in The Spanish Cape Mystery (1935).

    The few ‘A’ pictures Usher worked on without credit included Mystery of the Wax Museum (1933), Gabriel Over the Whitehouse (1933), It’s a Gift (1934, with onscreen credit), Fury (1936), Union Pacific (1939) and Meet John Doe (1941).

    Usher appeared in two MGM musicals in the mid 1930s: Stage Mother and Naughty Marietta (where he gets killed by pirates).

  • Henry Roquemore

    Henry Roquemore (1886-1943) acted extensively on the stage before making his screen debut in 1927, after which he performed in almost three hundred films in just sixteen years.

    The variety in his career is typified by his taking a small, uncredited bit in MGM’s 1930 hit Min and Bill, and following it up with a featured role in The Apache Kid’s Escape, a Poverty Row western.

    Roquemore appeared uncredited in the Academy-Award-winning Cimarron (1931, as he did in The Devil is a Woman (1935), Leo McCarey’s The Milky Way (1936), Mr Smith Goes to Washington (1939) and The Great Dictator (1940). He deposited money in the bank featured in The Little Foxes (1941) and in the same year tied the knot for Katharine Hepburn and Spencer Tracy in Woman of the Year. Roquemore was quite short, and made himself much in demand for ‘fat man’ roles.

    Roquemore appeared in eight Metro musicals, though only once with a credit. He was in Stage Mother, Hollywood Party, Naughty Marietta, San Francisco and Maytime. Then he achieved his onscreen credit in Babes in Arms, then returned to no credit in Strike Up the Band and Girl Crazy.

  • Bradley Page

    Bradley Page (1901-85) had worked on Broadway before making his first film, Sporting Blood, in 1931. He eventually made over 100 pictures, split between credited feature parts and uncredited appearances.

    Page made few films of note. In fact, the two MGM musicals he appeared in–Stage Mother and The Big Store (credited as one of Douglass Dumbrille’s henchmen)–may be the most prestigious projects with which he was associated in a career that lasted just over ten years. 

    There seems to be no information about what Page did during the last forty years of his life.

Social media & sharing icons powered by UltimatelySocial
RSS
WhatsApp
Copy link
URL has been copied successfully!