Category: Films

  • Elsie Janis

    It is difficult to attach a label to Elsie Jane Bierbower (1889-1956). She was, amongst other things, a stage and screen actor, a singer, a screenwriter, a lyricist, NBC’s first female announcer, an author, and one of the first people to entertain troops on the frontline, when she became known as ‘the sweetheart of the American Expeditionary Force’.

    As ‘Baby Elsie’, Janis started singing at church aged two and a half. She made her stage debut aged six, in a professional production of East Lynne. Next came vaudeville, where she demonstrated her skill at impersonating celebrities. In 1906, she appeared on Broadway for the first time. By 1914, Janis was writing songs for herself and for other performers, including Vernon and Irene Castle. 

    After the United States joined in the First World War, Janis  and a small troupe toured the battle zones; she even learned some French so she could entertain French troops. 

    She wrote a memoir in 1925, and by 1930 was writing for the cinema. She worked on the screenplay for Madam Satan, as well as contributing songs written in collaboration with Jack King.

    During the Second World War, Janis toured for the troops again, even performing with Bob Hope, who was following where she had led.

    Show business glamour was maintained to the very end. When Janis died in 1956, her friend Mary Pickford was at her bedside. 

  • Jeanie MacPherson

    Abbie Jean MacPherson (1886-1946) acted in over 140 silent films and directed a couple, but is remembered for her work as a screenwriter, and in particular for writing 30 of Cecil B DeMille’s pictures.

    MacPherson made her debut in 1908 in D W Griffith’s The Fatal Hour, and amassed all-but-one of her acting credits between then and 1917. In 1913, at the age of only 27, she wrote, directed and starred in The Tarantula, playing a Mexican young woman with a psychopathic bent.

    After joining the Lasky Studio and acting in a couple of films for DeMille, he persuaded her to concentrate on writing. This led to, amongst other titles, Old Wives for New (1918), Male and Female (1919), The Ten Commandments (1923), The Plainsman (1936) and Union Pacific (1939).

    One of the DeMille pictures worked on by MacPherson was Madam Satan. Not her finest hour, but possibly her craziest. 

  • Nathalie Visart

    The film career of Natalie Visart (1910-86) is inextricably linked to Cecil B DeMille. She was a friend of his daughter Katharine, joining her in uncredited revelry in the zeppelin in Madam Satan.

    Visart later began a relationship with the future director Mitchell Leisen, who designed costumes for DeMille’s films, working with him on The Sign of the Cross (1932). He secured for her the role of costume designer on The Plainsman (1936), and she went on to carry out that function on five more of DeMille’s pictures. She also worked for Frank Capra, designing for Barbara Stanwyck’s character in Meet John Doe (1941).

    Visart’s work was highly-respected, but she gave up her career after marrying in 1946.

  • Kasha Haroldi

    Kasha Haroldi (1907-92) was an actor who arguably received the most publicity for being, for a few years, the sister-in-law of Joan Crawford.

    Haroldi made her first appearance on screen in 1923 and the last in 1938. With the possible exception of Wesley Ruggles’s version of The Age of Innocence (1924), the only film she was associated with to feature in the history books is Madam Satan, in which, like so many others, she played one of the wives of Henry VIII.

  • Elvira Lucianti

    Like Natalie Storm, Elvira Lucianti (dates unknown) is a mysterious figure who walked onto the zeppelin as one of Henry VIII’s wives in Madam Satan.

  • Mary McAllister

    Mary McAlister [sic] (1908-91) was ‘Little Mary McAlister’, one of America’s first child stars.

    She made her first appearance in 1915 for Essanay, and starred in Sadie Goes to Heaven (1917) two years later.

    McAllister worked regularly up until 1928, when talking pictures slowed down her adult career. She retired following an uncredited appearance in Madam Satan.

  • June Nash

    June Nash (1911-79) had a very brief film career, comprising nine appearances.

    The high point was playing the female lead in Strange Cargo (1929).

    The low point may have been an uncredited appearance in Madam Satan.

  • Natalie Storm

    Someone called Natalie Storm (1905-??), apparently born in Durban, South Africa, may have been in Hollywood during 1930 and appeared as one of Henry VIII’s wives in Madam Satan.

  • Henry Stockbridge

    Henry Stockbridge (1871-1952) was an actor who made his screen debut, in his late fifties, as one of the wise fools in Cecil B DeMille’s Dynamite (1929). The following years he was the uncredited Butterfly Man in DeMille’s Madam Satan.

    Stockbridge only appeared in half a dozen films culminating with Mr Deeds Goes to Town (1936), playing one of the unemployed farmers. 

  • Ella Hall

    Ella August Hall (1897-1981) came from an acting family, and performed on the stage at an early age. She joined the Biograph Company in 1912, worked for Griffith and Sennett, then played the lead in Lois Weber’s Memories (1913). In total, Hall appeared in nearly 100 films.

    Hall worked busily until early 1918, when she took a break following the birth of her first child. She made only a handful of films in the 1920s, and made an uncredited appearance in Madam Satan

    Hall’s final film, without credit, was Capra’s The Bitter Tea of General Yen (1932).  

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