Category: Dancing Lady

  • Dancing Lady

    The Cast

    Joan CrawfordJanie Barlow
    Clark GablePatch Gallagher
    Franchot ToneTod Newton
    May RobsonDolly Todhunter
    Winnie LightnerRosette LaRue
    Fred AstaireHimself
    Robert BenchleyWard King
    Ted HealySteve
    Art JarrettHimself
    Grant MitchellJasper Bradley Sr
    Nelson EddyHimself
    Maynard HolmesJasper Bradley Jr
    Sterling HollowayPinky
    Gloria FoyVivian Warner
    Moe HowardStagehand
    Curly HowardStagehand (as Jerry Howard)
    Larry FineHarry
    Eve ArdenMarcia (uncredited)
    Shirley AaronsonChorus Girl (uncredited)
    Jean AldenChorus Girl (uncredited)
    Gail ArnoldChorus Girl (uncredited)
    Florine BaleChorus Girl (uncredited)
    Lee BaileyChorus Girl (uncredited)
    Lynn BariChorus Girl (uncredited)
    Bonita BarkerChorus Girl (uncredited)
    Kathryn BarnesChorus Girl (uncredited)
    Esther BrodeletChorus Girl (uncredited)
    Edna CallahanChorus Girl (uncredited)
    Lorena CarrChorus Girl (uncredited)
    Shirley ChambersChorus Girl (uncredited)
    Elizabeth CookeChorus Girl (uncredited)
    Dalie DeanChorus Girl (uncredited)
    Shirley DeaneChorus Girl (uncredited)
    Dorothy DearingChorus Girl (uncredited)
    Dale DeeChorus Girl (uncredited)
    Nadine DoreChorus Girl (uncredited)
    Veleda DuncanChorus Girl (uncredited)
    Eleanor EdwardsChorus Girl (uncredited)
    Fay EstelleChorus Girl (uncredited)
    Muriel EvansChorus Girl (uncredited)
    Kay GordonChorus Girl (uncredited)
    Chicquita MarciaChorus Girl (uncredited)
    Miriam MarlinChorus Girl (uncredited)
    Lorraine MarshallChorus Girl (uncredited)
    Margaret McConnellChorus Girl (uncredited)
    Lucille MillerChorus Girl (uncredited)
    Ruth MoodyChorus Girl (uncredited)
    Iris NicholsonChorus Girl (uncredited)
    Patsy O’DeaChorus Girl (uncredited)
    May PackerChorus Girl (uncredited)
    Jackie PageChorus Girl (uncredited)
    Linda ParkerChorus Girl (uncredited)
    Frances SawyerChorus Girl (uncredited)
    Geneva SawyerChorus Girl (uncredited)
    Anita ThompsonChorus Girl (uncredited)
    Irene ThompsonChorus Girl (uncredited)
    Marjorie TimmChorus Girl (uncredited)
    Ardelle UngerChorus Girl (uncredited)
    Zelda WebberChorus Girl (uncredited)
    Marion WeldonChorus Girl (uncredited)
    Mary WilburChorus Girl (uncredited)
    Francis BelmontChorus Boy (uncredited)
    Louis DelgadoChorus Boy (uncredited)
    Alan DeAstrayChorus Boy (uncredited)
    John FulsoChorus Boy (uncredited)
    Lester OstranderChorus Boy (uncredited)
    Wilburn RiviereChorus Boy (uncredited)
    Earl BlackwellDancer (uncredited)
    Harry C BradleyPinky’s friend (uncredited)
    John SheehanPinky’s friend (uncredited)
    Max BarwynMaitre D’ (uncredited)
    Jack BaxleyBurlesque Barker (uncredited)
    Stanley BlystoneTraffic Cop (uncredited)
    Bill ElliottCafe Patron (uncredited)
    Ferdinand GottschalkJudge (uncredited)
    Frank HagneyPoliceman (uncredited)
    Matt McHughMarcia’s Agent (uncredited)
    Florine McKinneyGrace Newton (uncredited)
    Jess MendelsonDance Director (uncredited)
    Edmund MortimerMan in Bradley Sr’s outer office (uncredited)
    Lee PhelpsBailiff (uncredited)
    Victor PotelWorker (uncredited)
    C Montague ShawFirst Nighter (uncredited)
    Pat SomersetTod’s Friend (uncredited)
    Larry SteersFirst Nighter (uncredited)
    Charles SullivanTaxi Driver (uncredited)
    Charles WilliamsMan Arrested in Burlesque Theatre (uncredited)
    Charles C. WilsonClub Manager (uncredited)
  • Dancing Lady

    The Numbers

    Hold Your ManArthur Freed, Nacio Herb BrownWinnie Lightner and chorus
    Everything I Have Is YoursBurton Lane, Harold AdamsonArt Jarrett
    My Dancing LadyDorothy Fields, Jimmy McHughArt Jarrett
    Heigh-Ho, the Gang’s All HereBurton Lane, Harold AdamsonFred Astaire, Joan Crawford, chorus
    Let’s Go BavarianBurton Lane, Harold AdamsonFred Astaire, Joan Crawford, chorus
    (That’s the) Rhythm of the DayRichard Rodgers, Lorenz HartNelson Eddy, Mildred Carroll (for Joan Crawford)

  • Dancing Lady

    The Synopsis

    Tod Newton and a bunch of swells get tickets for a burlesque show [Hold Your Man]. There is a police raid and both performers and audience are hauled off to the night court. Janie Barlow tells the judge she was stripping in a burlesque because it was the only dancing work she could find and she has to eat. She is sentenced to a $30 fine or 30 days in jail.  Tod pays her fine and buys her a meal. Janie is grateful, but makes it clear she has no interest in being kept by a rich man.

    At home, Janie reads a note given to her by Tod. It gives her advice on grammar and clothes, and contains $50, “to buy a dress without a zipper”. Janie tells her roommate Rosetta that she is quitting burlesque. Patch Gallagher is putting on a new show, and Janie is determined to get a part in it. 

    Next day, Janie goes to the Bradley Theatre, where Patch has, reluctantly, cast Vivien Warner in the lead. Janie cannot get in to see him, but she follows him out of the theatre and then follows him around for days. She runs into Tod, who has been looking for her. He gives her a letter of introduction to Jasper Bradley, Patch’s boss, and promises to ask for nothing in return. 

    Patch tells his assistant, Steve, to audition Janie and then give her the brush-off. But Steve is impressed by Janie’s dancing and calls Patch. Patch gives her a job and tells her to stop following him. 

    Janie helps Harry (Larry Fine) with his jigsaw puzzle
    Janie helps Harry (Larry Fine) with his jigsaw puzzle

    Next day, Tod and Bradley discuss Tod’s secret backing of the show. He arranges for Janie to be paid during rehearsals, unlike the other members of the chorus. Tod arranges a party for the whole company [Everything I Have Is Yours]. Tod and Janie kiss, but then she goes home. 

    Next morning, Patch finds Janie working out in the gym, even though she has the morning off. They spar with each other, and Patch mentions the possibility of giving Janie a speciality number. Tod takes Janie to his home in the country, where she meets his family. 

    Tod asks Janie to marry him, but she says her career is more important and tells him about the speciality number. She agrees to marry him if the show is not a success. 

    Patch decides he wants the show rewritten and modernized, and he offers Janie the top spot. [My Dancing Lady]. 

    While rehearsing with Fred Astaire [Heigh-Ho, the Gang’s All Here], Janie’s leg gives way. Massaging her leg, Patch asks Janie about newspaper stories concerning the crowd she is running with. He advises her not to marry into money. Janies assures him she is not planning to quit on him. 

    Bradley suddenly cancels the show and leaves for France. Tod invites Janie on a cruise to Cuba. Patch shows his unhappiness when Janie tells him she is probably getting married. 

    Patch decides to produce the show using his own money. He tells Steve to bring back Vivien, because Janie has “gone Park Avenue”. 

    Janie has no fun in Cuba and asks Tod to take her home. Back in New York, Patch, who is not getting on with Vivien, learns that Tod had paid Bradley to close the show. 

    The night before the show opens, Janie finds Patch drunk in a nightclub. He tells her the truth about Tod’s involvement with the show. Janie follows Patch back to his apartment and goads him into putting her back in the show. They rehearse all night and the show opens [Heigh-Ho, the Gang’s All Here; Let ‘s Go Bavarian]. Tod is in the audience. [(That’s The) Rhythm of the Day]. The show is a success. 

    Tod asks Janie to marry him and continue with her career, but she says their worlds will not mix. Janie tells Patch that Tod is gone for good and they kiss.

  • Louis Silvers

    The status of Louis Silberstein (1889-1954) as the pioneer of film music is unassailable, given that he worked as musical director and composer on The Jazz Singer (1927), the ur-musical/talking picture.

    Silvers had already claimed his place in musical history when, aged 24, he composed the music for ‘April Showers’, with lyrics by Buddy De Sylva. He also wrote the music for the experimental sound sequences in the D W Griffith turkey Dream Street (1921). He also composed for three other Griffith pictures.

    Silvers had started out as a vaudeville pianist and was working as a musical director on Broadway when he went to Hollywood. His work on The Jazz Singer is far more nuanced and inventive than the film in general, or Al Jolson’s overblown performance in particular, though it rarely figures in discussion of the picture’s importance.

    Silvers went on to compose music for over thirty films and act as musical director on around seventy. He also conducted the music for dozens of Warner’s early Vitaphone recordings. In 1935, he won the Oscar for Best Original Score for One Night of Love (1934).

    For MGM, Silvers composed and conducted incidental music for Stage Mother and Dancing Lady, and co-wrote ‘Schnarzan’ for Hollywood Party.

  • Maurice De Packh

    Composer Maurice De Packh (1896-1960) was already working as an orchestrator on Broadway by the time he was 22, and its was in that capacity that he excelled. He continued to work on Broadway for decades, while maintaining a parallel career in films.

    De Packh, usually without credit, arranged the scores for some of Hollywood’s greatest Golden Age pictures. The total exceeded 240, but some of the highlights were: Queen Christina (1933), The Informer (1935), Top Hat (1935), Ninotchka (1939), Gone With the Wind (1939, one of several), Leave Her to Heaven (1945), Nightmare Alley (1947), Unfaithfully Yours (1948), All About Eve (1950), A Streetcar Named Desire (1951), Rio Bravo (1959) and Spartacus (1960, his final film).

    De Packh started out in MGM musicals composing incidental music for Stage Mother and Dancing Lady. He was also the arranger on the latter, and later orchestrated Annie Get Your Gun, The Belle of New York, Singin’ in the Rain, The Merry Widow, The Student Prince, I’ll Cry Tomorrow and Gigi. He also co-wrote the song ‘Schnarzan’ for Hollywood Party.

  • Arthur Jarrett

    Arthur Leonard Jarrett Jr (1907-87) was a singer, multi-instrumentalist and bandleader of note during the 1930s and 40s.

    Jarrett had a distinctive high tenor voice and, from the late 1920s, he sang with a variety of bands and also developed a recording career. He also made occasional appearances on the vaudeville stage, and appeared in a Betty Boop animation in 1932. 

    Jarrett founded his own orchestra in 1936, and appeared in a handful of films during the 1930s, including a Poverty Row western.

    Jarrett’s first involvement with MGM musicals was offscreen, when he dubbed for Sam Ash in Stage Mother, singing ‘Beautiful Girl’. In the same year, he appeared as himself in Dancing Lady, followed by Hollywood Party in 1934.

    Later in life, Jarrett worked extensively on television.

  • Edmund Mortimer

    Edmund Mortimer Olson (1874-1944) started out as a professional actor in 1904 and had extensive stage experience when he made his first film ten years later. He would eventually appear in over 380 pictures.

    After serving in the First World War, Mortimer turned his hand to direction and made a couple of dozen films, two of which he also wrote. He returned to acting in 1930, but most of his many roles were without credit.

    Films featuring Mortimer include Red-Headed Woman (1932), Duck Soup (1933), Imitation of Life (1934), Sylvia Scarlett (1935), Mr Deeds Goes to Town (1936), Stella Dallas (1937), The Awful Truth (1937), Holiday (1938), Midnight (1939), Wuthering Heights (1939), Mr Smith Goes to Washington (1939), The Story of Dr Ehrlich’s Magic Bullet (1940), Foreign Correspondent (1940) and Dr Jekyll and Mr Hyde (1941).

    Mortimer appeared uncredited in fifteen MGM musicals: Stage Mother, Dancing Lady, Broadway Melody of 1936, A Night at the Opera, A Day at the Races, Thoroughbreds Don’t Cry, Sweethearts, At the Circus, Little Nellie Kelly, Ship Ahoy, I Dood It, Thousands Cheer, Swing Fever, Two Girls and a Sailor and Bathing Beauty.

  • Larry Fine

    Louis Feinberg (1902-75) was the non-Howard Stooge: the member of the Three Stooges who positioned himself between Moe’s violence and Curly’s lunacy, and got poked in the eye a lot for his trouble.

    Fine had been working in vaudeville for a few years when he first became one of Ted Healy’s stooges in 1928. When he, Moe and Curly split up with the erratic Healy, they signed with Columbia and went on to make over 200 shorts and several feature films (latterly with Shemp Howard and other performers after Curly’s death).

    Fine appeared in three MGM musicals in the mid-thirties. He was by himself in Stage Mother (which also featured Healy); with Healy, Moe and Curly in Dancing Lady; and with just Moe and Curly in Hollywood Party.

    Fine was central to an important, though censored, gag in Dancing Lady. Throughout the film he is seen working on a jigsaw puzzle. The excised payoff was that, after adding the final piece, he sees that it is a picture of Adolf Hitler and overturns the table in disgust. If left in, this would have been a very early (1933) anti-Nazi protest by a Jewish actor. The footage has now been restored to some prints of the picture.

  • Ted Healy

    Ernest Lea Nash (1896-1937) is best-known today as the co-founder of the act ‘Ted Healy and his Three Stooges’, but he also had a successful acting career in both comic and dramatic roles.

    After working for some years in vaudeville, Healy teamed with schoolfriend Moe Howard, Moe’s brother Shemp (subsequently replaced by Curly) and comic Larry Fine. There were tensions in the act, largely owing to Healy’s heavy drinking, and the three stooges eventually signed with Columbia to make a series of shorts. 

    Healy signed a contract with MGM, who occasionally loaned him to other studios. He played Jean Harlow’s freeloading brother in Blonde Bombshell (1933) and Reagan the reporter in Mad Love (1935). 

    Ted Healy acted in six MGM musicals. Probably his best role was as the vaudeville performer Ralph Martin in Stage Mother. He appeared with the Stooges in Dancing Lady and did an uncredited bit in the all-star Hollywood Party. He was also in Reckless, Here Comes the Band and San Francisco.

    Healy died from symptoms related to his drinking that were triggered by a serious and mysterious beating sustained outside a nightclub.

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