Max Davidson (1875-1950) was a German-born actor who found regular work in Hollywood as comedic Jews, including a rare lead role in Pleasure Before Business (1927).
Davidson has a bit in So This Is College as Moe Levine, the bemused tailor at the other end of Eddie’s fake call to a girl. He also made uncredited appearances in The Cat and the Fiddle and Rosalie.
Pauline Theresa Moran (1893-1952) was a seasoned vaudeville performer when she became a Mack Sennett Bathing Beauty in 1914. After years of slapstick with Sennett she signed with MGM and was teamed with Marie Dressler for the first time in 1927, a partnership that lasted nine pictures in total.
Moran appeared alongside Dressler in two numbers in The Hollywood Revue of 1929. She was the fraternity cook in So This Is College, then sparring again with Dressler in Chasing Rainbows. Her final musical for Metro was Hollywood Party, as Henrietta Clemp, wife of the multi-est millionaire in Oklahoma.
Anna McKim (1911-79) made her name as an actor of great talent in Scarface (1932) and flourished for a time at Warner Bros. But only a couple of years earlier she had been a regular member of the chorus line in no fewer than eleven of Metro’s early musicals. She is prominent in all her appearances, largely owing to her unique beauty and a screen presence that would be fully revealed by Howard Hawks.
Dvorak is cited by some sources as assistant choreographer to Sammy Lee, who certainly was the dance director on most of her MGM appearances. This would certainly explain her prominence.
Dvorak starts off big in The Hollywood Revue of 1929 in a two-shot with Jack Benny. She gets to speak two words (“Pardon me”) and slap Benny in the face. After playing a student in So This Is College, she was back in the chorus line in It’s a Great Life, supporting the Duncan Sisters.
After that, Dvorak was in Devil-May-Care, Chasing Rainbows, Lord Byron of Broadway, Free and Easy and Children of Pleasure. She was another student in Good News, another chorus girl in Love in the Rough and, finally, a party-goer in the zeppelin in Madam Satan.
Dvorak also worked on The March of Time before it was abandoned.
Sarah Kathryn Sturm (1909-1996) was only a teenager when she appeared on Broadway in George White’s Scandals of 1924. After signing with MGM she became Sally Starr, which has led some sources to attribute her with films of the 1910s made by an actor with the same name.
So This Is College was Starr’s only musical for the studio and, obscure though it is, is her best-known film. She retired from acting in 1938.
The mature roles undertaken by Robert Montgomery (real name Henry) (1904-1981) include the killer Danny in Night Must Fall (1937), a naval commander in They Were Expendable (1945) and Philip Marlowe in The Lady in the Lake (1947). It is easy to forget that he started out playing a jock named Biff in So This is College and predominantly worked in light comedies.
By no means a gifted singer, Montgomery still performed in three early MGM musicals. As well as So This Is College, he made Free and Easy and Love in the Rough in quick succession, then called it a day with musicals, apart from archive footage of him at a premiere in Going Hollywood.
Later in life Montgomery asserted that So This Is College had shown him that making a picture is a “great co-operative project”. This is arguably more true of musicals than any other type of film.
Elliott Nugent (1896-1980) was a playwright and stage actor who performed for a few years in Hollywood before taking on a new role as director. In this capacity, his best known films are probably the Bob Hope vehicles The Cat and the Canary (1940) and My Favorite Brunette (1947). In the fifties he directed the original Broadway production of The Seven Year Itch. So This Is College was Nugent’s only musical.