Burly character actor Dewey Robinson (1898-1950) appeared in well over 200 feature films in a Hollywood career lasting less than twenty years.
Robinson started out as a stage actor, and was in a couple of Broadway productions during the 1920s. In 1931, he was cast as Big Tony Catello in Enemies of the Law, the first of many roles as criminals, and the next year had a small part in I am a Fugitive from a Chain Gang (1932).
Notable films featuring Robinson include Blonde Venus (1932), She Done Him Wrong (1933), Roman Scandals (1933, as the slave auctioneer), Max Reinhardt’s A Midsummer Night’s Dream (1935, as Snug the joiner), The Hunchback of Notre Dame (1939), The Ghost Ship (1943), Fritz Lang’s Scarlet Street (1945) and The Bells of St Mary’s (1945).
Robinson was a member of Preston Sturges’s stock company, and appeared in eight of the director’s pictures, including playing the sheriff in Sullivan’s Travels (1941).
Dewey Robinson can be seen in uncredited roles in nine MGM musicals: The Cat and the Fiddle, Student Tour, The Merry Widow, Broadway Melody of 1938, The Big Store, Two Sisters from Boston, Fiesta, Neptune’s Daughter and That Midnight Kiss.
Edwin Booth Willis (1893-1963) worked on the design of over 800 MGM pictures, in a career lasting a little over thirty years. He was nominated for Academy Awards 32 times, and won on eight occasions. In broad terms, Willis was an art director, but his specialism was set decoration and the bulk of his credits were in this capacity.
After working as an art director for Tiffany Pictures in the 1920s, Willis worked exclusively for Metro, obtaining three types of credit: Associate Art Director (AAD), Interior Decorations (ID) and Set Decorator (SD). He did early work as SD on Ben-Hur: A Tale of the Christ (1925).
Willis worked on some of the studio’s major critical and commercial successes, including Queen Christina (1933, for ID), The Thin Man (1934, as AAD), Anna Karenina (1935, as AAD, Fritz Lang’s Fury (1936, as AAD), Camille (1936, as AAD), The Good Earth (1937, as AAD), Captains Courageous (1937, as AAD), Boys’ Town (1938, as AAD), The Women (1939), Ninotchka (1939, as SD), The Shop Around the Corner (1940), Waterloo Bridge (1940), Pride and Prejudice (1940), The Philadelphia Story (1940), Blossoms in the Dust (1941, winning an Oscar), Dr Jekyll and Mr Hyde (1941), Woman of the Year (1942), Mrs Miniver (1942), Lassie Come Home (1943), Madame Curie (1943), Gaslight (1944, winning an Oscar), John Ford’s They Were Expendable (1944), The Yearling (1946, winning an Oscar), The Postman Always Rings Twice (1946), State of the Union (1948), Act of Violence (1948), Intruder in the Dust (1949), Little Women (1949, winning an Oscar), The Asphalt Jungle (1950), The Red Badge of Courage (1951), The Bad and the Beautiful 1952, winning an Oscar), Julius Caesar (1953, winning an Oscar), Bad Day at Black Rock (1955), Somebody Up There Likes Me (1956, winning an Oscar), Forbidden Planet (1956) and Lust for Life (1956).
Willis had a particularly extensive collaboration with Vincente Minnelli, decorating most of his musical and non-musical pictures
Edwin B Willis contributed to 153 musicals, around 70 per cent of MGM’s total output. It could be argued that this makes him the single most influential figure on the look of the Metro-Goldwyn-Mayer musical. The pictures were:
Rafael Hernández Marín (1892-1965) was a Puerto Rican songwriter who spent much of his career in Mexico and Cuba.
Hernández was a multi-instrumentalist who performed with bands in Puerto Rico and the USA. He relocated to Mexico in 1932 and, at the age of 40, enrolled in the National Music Conservatory, presumably on the basis that there is always more to learn.
Songs by Hernández are featured in two Metro musicals. In The Cuban Love Song, Lupe Velez sings ‘Buchipluma na’ ma’, and Xaviet Cugat and his Orchestra perform ‘Cachita’.
Francesc d’Assís Xavier Cugat Mingall de Bru i Deulofeu (or Xavier Cugat i Mingall for short, 1900-1990), was one of the more idiosyncratic performers to work on musicals at Metro-Goldwyn-Mayer, reliably introducing an element of camp to every film he appeared in.
Born in Catalonia, Cugat and his family emigrated first to Cuba, and then to the United States in 1915. His beginnings in show business were as a classical violinist. He took time out to work as a cartoonist, and then formed his own band, which ended up performing at the Coconut Grove in Los Angeles. Specializing in Latin music, Cugat, clutching his signature chihuahua while conducting or performing, became known as the ‘King of Rumba’.
Cugat’s first involvement in a Metro musical was behind the scenes, working with Herbert Stothart and Clifford Grey on a couple of numbers for In Gay Madrid. Fourteen years later he made his debut on screen for Metro (having made a few musicals at Paramount), in Two Girls and a Sailor. Here, as on every other occasion, he played a fictionalized version of the band leader Xavier Cugat.
Cugat appeared in four Esther Williams vehicles: Bathing Beauty, On an Island with You, This Time for Keeps and Neptune’s Daughter. He also supported Jane Powell in Holiday in Mexico, A Date with Judy and Luxury Liner, and showed up in No Leave, No Love.
