Category: It Happened in Brooklyn

  • Harry Burns

    Some confusion surrounds Harry Burns, who played the gardener in Love in the Rough.

    IMDb asserts confidently that he was born in 1887, died in 1948, and in between was married to actor Dorothy Vernon. It says he was an actor who made 15 films between 1915 and 1920, took a ten-year break, then made another 39 appearances between Love in the Rough and 1948, two of which were in Music for Millions and It Happened in Brooklyn. IMDb also claims Burns was the father of Bobby Vernon, even though Bobby was only ten years younger, but we will not go there.

    According to the AFI Catalog, Harry Burns acted in a couple of pictures in 1923-24, but was mainly a director at that time, notably of a series of films starring Joe Martin the Chimp (no space here, but Joe is worth looking up).

    As a further complication, the New York Times reported, in 1939 (not 1948), the death of “Harry Burns, former film director for William Fox and other early film producers and one-time publisher of Filmograph”. It notes that, at the time of his death, he had been working as an extra and was a champion for better treatment for extra players, and that his widow was Dorothy Vernon.

    Which leads to a second IMDb entry, for director Harry Burns (1882-1939), also married to Dorothy Vernon.

    It seems pretty clear that there were two men called Harry Burns making films in the same period and, probably the 1887-1948 version who made appearances in two MGM musicals. The silent pictures attributed to him by IMDb must belong to the 1882-1939 Harry Burns (especially given that one of them starred the aforesaid Joe Martin the Chimp.

    He was also the one married to Dorothy Vernon. He may well have been the father of Bobby Vernon, but, if so, was a father at the age of 15.

  • Blanche Sewell

    Blanche Irene Sewell (1898-1949) died far too young, but had become one of the most talented of all Hollywood editors and a seminal influence on the MGM musical style . After training under pioneer Viola Lawrence, Sewell became a full-fledged editor at MGM in 1925 and spent the rest of her career there.

    She was the sister-in-law of Walt Disney, and it is generally accepted that she tutored him on the principles of editing and was very influential, in particular, on the form of Snow White and the Seven Dwarfs (1937).

    Sewell cut some of Metro’s most memorable pictures of the 1930s, including Grand Hotel, Red Dust and Queen Christina. In the 1940s, she edited twenty films, fourteen of which were musicals. 

    Sewell’s involvement with musicals began in 1930 with Children of Pleasure, after which she cut Naughty Marietta, Broadway Melody of 1936, Rose-Marie, Born to Dance, Broadway Melody of 1938, Rosalie and Listen Darling.

    In 1939, Sewell was chosen to edit The Wizard of Oz, and it was claimed that this was in the hope she could bring to it some of the magic that Disney had produced in Snow White.

    After this cameBroadway Melody of 1940, Go West, Ziegfeld Girl, Ship Ahoy, Panama Hattie, Seven Sweethearts, Du Barry Was a Lady, Best Foot Forward, Bathing Beauty, Easy to Wed, It Happened in Brooklyn, Fiesta andThe Pirate. Sewell’s last work, shortly before her death, was on Take Me Out to the Ball Game.

  • Phil Dunham

    British-born Phil Dunham (1885-1972) made his first screen appearance in 1914 and was in over 260 films. He had a parallel career as a screenwriter and worked on some of the ‘race’ pictures that featured all-Black casts. These included The Duke is Tops (1938), in which Lena Horne made her debut, and Gang Smashers (1938), which featured MGM alumna Nina Mae McKinney.

    Dunham had uncredited roles in six Metro musicals, beginning with Montana Moon. The others were It Happened in Brooklyn, The Unfinished Dance, Annie Get Your Gun, Singin’ in the Rain and Easy to Love.   

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